...Structures of Feeling, “New” Feelings ...

... structures of feeling solution atmosphere environment weather ...

... epistemology inaugurate particular feelings of knowing music. Music scholarship exists in relation to an intractable problem: most people feel that they already know music very well. Against such feelings of intimacy, what do disciplinary practices of structural listening and positivist analysis have to offer...

...)structures of feeling of the worlds in relation to which the problems and possibilities of affect theories are posed and reposed. Second, the elements amplify and diminish worldly capacities of bodies to affect and be affected. And third, different versions of the elements agitate further the forces...

... molecular structures. It introduces the concept of the “kinesthetic imagination” to account for the ways that modelers can both “see” molecular structures in their mind’s eye, and “feel” through the forces between atoms in a molecule with their moving bodies. It argues that the kinesthetic intuitions...

... This interlude offers a Mad Libs activity for the reader to complete to describe the feelings, fears, and aspirations of professors. The form comes out of the Asian American Tarot in Open in Emergency: A Special Issue on Asian American Mental Health . This particular Mad Libs is meant...

... epistemology inaugurate particular feelings of knowing music. Music scholarship exists in relation to an intractable problem: most people feel that they already know music very well. Against such feelings of intimacy, what do disciplinary practices of structural listening and positivist analysis have to offer...

... camps, Jesus Camp. A phenomenological, affective account of globalization sees globalization as a pedagogy that rotates intransigent, felt affective forms between bodies, producing structures of power. Phenomenological affect theorists see pedagogy as a transmission of affect (in Teresa Brennan’s phrase...

... The introduction presents the figure of the Zulu warrior as a key component of the history of Zulu representation, and so also key to ngoma’s structures of feeling and its commodification. It tracks some regional history of ngoma and situates the umzansi Zulu style in Msinga, KwaZulu-Natal...

... faculty. The chapter shares a story about the author’s experiences of exploitation and disposability as an adjunct and argues that adjunctification and its related structures of feeling function as a central form of unwellness in the contemporary academy. The chapter examines the field of Asian American...

... of the modeler’s imagination, judgment, and intuition in rendering molecular structures. It introduces the concept of the “kinesthetic imagination” to account for the ways that modelers can both “see” molecular structures in their mind’s eye, and “feel” through the forces between atoms in a molecule...

... abandoned to the margins of the city. As these men are left in a state of what Michel Foucault calls “letting die,” the chapter explores ethnographically how the homeless endure social death and the widely shared structure of feeling brought about by living through the prolonged experience of one’s own...

... This chapter considers the stakes of the affirmative drive of affect theory. It argues that the insistent affirmationist drive of affect and its foreclosure of the negative is mirrored by and intertwined with the structuring absence of blackness within its precincts. Affect theory's investment...

... In 1924, Raihana Tyabji composed a small book of Bhakti devotionalism entitled The Heart of a Gopi . This chapter considers how far it may be read as a kind of personal narrative, an evocation of the self. Does the referencing of an established narrative tradition give the author’s feelings...

...Preface The preface outlines three major events that have been central to writing and redrafting Indenture Aesthetics . First, the author explores the impact of his mother’s death on his relationship to time and space (Africa) and how the feeling of being unhinged informed the revisions...

... phenomenon. Indeed, modelers must hone their haptic, kinesthetic, and affective dexterities to be able to see, feel, and know the difference between good and bad molecular structures. The chapter describes innovations in ethnographic methods that bring renewed attention to the senses and modes of embodiment...