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street photography

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Published: 09 February 2015
DOI: 10.1215/9780822375982-002
EISBN: 978-0-8223-7598-2
... This chapter analyzes street photography, one of the most popular contemporary photographic portrait forms across black urban communities in the United States and Jamaica. In street photography clients pose for Polaroids or digital pictures before makeshift hand-painted photographic backdrops...
Published: 18 April 2017
DOI: 10.1215/9780822373629-006
EISBN: 978-0-8223-7362-9
... Starting with a close examination of the work and reputation of Harry Callahan, Solomon-Godeau presents a critical and alternative history of street photography. She explores how and why photographing people unawares on the street became legitimized and elaborated as a genre unique to the medium...
Published: 18 April 2017
EISBN: 978-0-8223-7362-9
... Harry Callahan street photography art genres ...
Published: 18 April 2017
EISBN: 978-0-8223-7362-9
... Vivian Maier street photography women artists art markets outsider art ...
Published: 18 April 2017
DOI: 10.1215/9780822373629-010
EISBN: 978-0-8223-7362-9
... made on the street are not especially different from those of other photographers working in black and white and depicting urban life, their familiar quality, and their immediate recognition as “street photography,” combined with her “outsider” identity, elusive biography, and staggering production...
Published: 07 September 2015
DOI: 10.1215/9780822375234-002
EISBN: 978-0-8223-7523-4
... Documentary photographs in Las Vegas reveal the many visual tricks used to purposely reveal everything, even the copies of foreign architecture, to be fake. With multiple versions of costumed characters parading the streets, wax figures posing with tourists, advertisements juxtaposed with iconic...
Published: 05 May 2017
DOI: 10.1215/9780822372998-016
EISBN: 978-0-8223-7299-8
... Can slow motion offer a new optics? “Slow” is a meditation on slowness and slow motion inspired by artist James Nares and his 2011 film Street . Excerpts of an interview with Nares are interspersed with various slow-related considerations including David Levine’s research on pedestrian speed...
Published: 05 May 2017
EISBN: 978-0-8223-7299-8
... James Nares slow motion slowness Street film cut-up ...
Published: 09 February 2015
DOI: 10.1215/9780822375982-005
EISBN: 978-0-8223-7598-2
... visibility and technologies of light. For this series, Wiley sought black male models on the streets of urban communities across the United States using his own team of “paparazzi.” These models assume poses from paintings in art-history books. The chapter considers the work of Luis Gispert, who focuses...
Series: The Latin America Readers
Published: 06 July 2018
DOI: 10.1215/9780822371618-091
EISBN: 978-0-8223-7161-8
... search to transcend the deep chasm between self and other and to reconcile the truths of love and death. Saenz was fascinated by the city’s dark underside and nocturnal fringes, and he captured the soul of its ancient, twisting streets and decaying neighborhoods in atmospheric prose. His exotic...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-026
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-003
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-033
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-016
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-007
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Published: 03 April 2002
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-001
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Published: 03 April 2002
DOI: 10.1215/9780822385967-002
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...
Published: 03 April 2002
DOI: 10.1215/9780822385967-004
EISBN: 978-0-8223-8596-7
... as part of Melville’s Battle-Pieces and a damaged pastoral tradition in Traces of War: Poetry, Photography, and the Crisis of the Union (Baltimore: Johns Hopkins University Press, 1990), 165–200. The spirited commerce at the mouth of the Mississippi that makes New Yorkers drool in “Thomas Elliott’s...