1-20 of 88 Search Results for

street art

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Published: 22 January 2014
DOI: 10.1215/9780822376880-007
EISBN: 978-0-8223-7688-0
Published: 01 January 2010
DOI: 10.1215/9780822392620-006
EISBN: 978-0-8223-9262-0
Published: 09 October 2020
DOI: 10.1215/9781478012269-013
EISBN: 978-1-4780-1226-9
Series: The Latin America Readers
Published: 20 September 2024
EISBN: 978-1-4780-5985-1
... street art protest plaza marches celebration ...
Series: The Latin America Readers
Published: 20 September 2024
DOI: 10.1215/9781478059851-016
EISBN: 978-1-4780-5985-1
..., congregate, and celebrate. Documents in this part include texts on Carnaval, workers’ movements, and the traditions of graffiti and street art. Emblematic moments of protest and celebration are also documented, including the plaza in the independence era; in mass demonstrations during the 1934 Eucharist...
Published: 18 April 2017
EISBN: 978-0-8223-7362-9
... Vivian Maier street photography women artists art markets outsider art ...
Published: 18 April 2017
EISBN: 978-0-8223-7362-9
... Harry Callahan street photography art genres ...
Book Chapter

By Joseph Plaster
Published: 30 January 2023
DOI: 10.1215/9781478023586-009
EISBN: 978-1-4780-2358-6
... The conclusion examines efforts in the 2010s and early 2020s to remember (and forget) queer and trans histories on Polk Street and the Mid-Market corridor, two sites where the kids’ performative economy took root. The conclusion shows how the city and business interests are using the arts...
Published: 19 August 2016
DOI: 10.1215/9780822373889-003
EISBN: 978-0-8223-7388-9
... This chapter discusses Wendell B. Harris Jr.’s Chameleon Street (1989) and the ways the film stages racial passing in the key of racial performativity. The film’s protagonist (Douglas Street) does not impersonate in the classical sense of racial passing pathologies. His passing and mimicry...
Published: 24 April 2015
DOI: 10.1215/9780822375395-020
EISBN: 978-0-8223-7539-5
... In this chapter, the author engages in performance art: he visits bookstores in New York and asks: “Where is your ‘White Literature’ section?” The responses, ranging from skeptical to hilarious, provide a guide to booksellers’ understanding of street-level multiculturalism. Bookstores New...
Published: 18 April 2017
DOI: 10.1215/9780822373629-010
EISBN: 978-0-8223-7362-9
... combine to forge an instant legend. And photography discourse and markets are ever in search of them. Vivian Maier street photography women artists art markets outsider art ...
Published: 09 February 2015
DOI: 10.1215/9780822375982-002
EISBN: 978-0-8223-7598-2
... accumulation in street photography. Moreover, the public photographic studios are sites where notions of real, science fiction, fantasy, Afro-modernity, Afro-futurism, and memory are negotiated. This chapter also focuses on the contemporary art of the late Charles Nelson, whose Backdrop Project series...
Published: 18 April 2017
DOI: 10.1215/9780822373629-006
EISBN: 978-0-8223-7362-9
... and political circuits of mastery, desire, fear, and control. Harry Callahan street photography art genres ...
Book Chapter

By Kevin Adonis Browne
Published: 18 October 2024
DOI: 10.1215/9781478059905-035
EISBN: 978-1-4780-5990-5
... This penultimate part includes seven essays on the creation of, and reflection on, materialist art. Beginning with “Techne,” the practice of wire bending (only tangentially related to the Mas tradition) becomes a trope for considering the process of “unbinding” that was introduced in an earlier...
Published: 18 October 2024
DOI: 10.1215/9781478059905-036
EISBN: 978-1-4780-5990-5
... This penultimate part includes seven essays on the creation of, and reflection on, materialist art. Beginning with “Techne,” the practice of wire bending (only tangentially related to the Mas tradition) becomes a trope for considering the process of “unbinding” that was introduced in an earlier...
Published: 15 September 2023
DOI: 10.1215/9781478027416-004
EISBN: 978-1-4780-2741-6
... A small, working-class enclave tucked into south central Los Angeles County, Watts played a leading role in the life of the African American community in 1965, when African Americans took to the streets en masse in response to growing social and economic inequalities. In the years that followed...
Published: 09 February 2015
DOI: 10.1215/9780822375982-005
EISBN: 978-0-8223-7598-2
... visibility and technologies of light. For this series, Wiley sought black male models on the streets of urban communities across the United States using his own team of “paparazzi.” These models assume poses from paintings in art-history books. The chapter considers the work of Luis Gispert, who focuses...
Book Chapter

By Kevin Adonis Browne
Published: 18 October 2024
DOI: 10.1215/9781478059905-037
EISBN: 978-1-4780-5990-5
... This penultimate part includes seven essays on the creation of, and reflection on, materialist art. Beginning with “Techne,” the practice of wire bending (only tangentially related to the Mas tradition) becomes a trope for considering the process of “unbinding” that was introduced in an earlier...
Book Chapter

By Kevin Adonis Browne
Published: 18 October 2024
DOI: 10.1215/9781478059905-039
EISBN: 978-1-4780-5990-5
... This penultimate part includes seven essays on the creation of, and reflection on, materialist art. Beginning with “Techne,” the practice of wire bending (only tangentially related to the Mas tradition) becomes a trope for considering the process of “unbinding” that was introduced in an earlier...
Book Chapter

By Kevin Adonis Browne
Published: 18 October 2024
DOI: 10.1215/9781478059905-040
EISBN: 978-1-4780-5990-5
... This penultimate part includes seven essays on the creation of, and reflection on, materialist art. Beginning with “Techne,” the practice of wire bending (only tangentially related to the Mas tradition) becomes a trope for considering the process of “unbinding” that was introduced in an earlier...