... spectator spect-actor percepticide Ethical Spectatorship Michel Melamed Nao Bustamante Bertolt Brecht Augusto Boal ...

... on the part of what the author calls “properly historical subjects” of both the experience and the effects of passing from being spectators to being the objects of someone else’s surveillance is basic to understanding the iconoclastic forms of belonging that have developed as the Pelourinho and its...

... a doing-to, an act in which observers become participants. spectator spect-actor percepticide Ethical Spectatorship Michel Melamed Nao Bustamante Bertolt Brecht Augusto Boal ...

... and not that of the spectator. For Bergson, freedom is an expression of the whole person, a certain tonality of decision, and a powerful and intimate sympathy. It emerges from the total past and expresses a necessity higher than that of determinism, the determination of the I by the I. Time and Free Wil l; time...

... and ideas about art. Duchamp deployed deconstructive humor and irony to engage the spectator in his work, which is evident in Tongue in Cheek on several levels, while also revealing the workings of the art market. Specifically, this chapter theorizes Duchamp’s deconstruction of identity, bringing together...

...-controlled television in the 1980s were driven by pedagogical impulses of national development, transnational television was also pedagogical in that it taught viewers and spectators how to become consumers. Television thus played a central role in the integration of India into the global capitalist economy...