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soubise

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Published: 01 January 2009
DOI: 10.1215/9780822391517-002
EISBN: 978-0-8223-9151-7
Book Chapter

By Monica L. Miller
Published: 01 January 2009
DOI: 10.1215/9780822391517-009
EISBN: 978-0-8223-9151-7
... Domosh, Mona, 320n110 darky-dandy diad, in Stowe’s Uncle Don Benito, in Melville’s Benito Tom’s Cabin, 95–96 Cereno, 115–17 darling blacks, 55–56, 58. See also lux- “Dorian Gray” (Shonibare), 277, 283– ury slaves; Soubise, Julius 87, 285, 286 Darly, Mary, 69, 304n102...
Book Chapter

By Monica L. Miller
Published: 01 January 2009
DOI: 10.1215/9780822391517-007
EISBN: 978-0-8223-9151-7
...) as a caricature of Julius Soubise (3). This print is also mentioned by Ogborn, who places this print as one of “an exten- sive series of engravings—including The Clerical Macaroni, The Macaroni Haberdasher, and A Mungo Macaroni, which satirized both social types and individuals” (447–48...
Published: 01 January 2009
DOI: 10.1215/9780822391517-001
EISBN: 978-0-8223-9151-7
... power is amplified. While examples of the dandy’s political, oppositional agency abound, so too do moments of complication. For example, in the first chapter of this book, when I discuss the dandyism of Julius Soubise, an eighteenth-century black Lon- doner famous for cutting a figure on the...
Book Chapter

By Monica L. Miller
Published: 01 January 2009
DOI: 10.1215/9780822391517-008
EISBN: 978-0-8223-9151-7
... Eighteenth- Century Question of Identity.” Slavery and Abolition 20.3 (December 1999), 96–105. “Soubise.” Oxford Dictionary of National Biography. Oxford: Oxford University Press, 2004. Carter, Holland. “Art after Stonewall: 12 Artists Interviewed.” Art in America 82 (June 1994), 56–65...
Published: 01 January 2009
DOI: 10.1215/9780822391517-006
EISBN: 978-0-8223-9151-7