Search Results for social aesthetics

...History and Remembrance as Social Aesthetics ...

... While addressing the fundamental question, “What is social aesthetics?” the introduction aims to situate the concept of social aesthetics within a number of distinct histories of art, musical, and cultural practices and theoretical paradigms. The editors demonstrate how the social...

... This chapter offers a comparative perspective on the relationship between the social and the aesthetic by contrasting the development of an Afro-modernist aesthetic of politics and music in American jazz improvisation of the 1950s and 1960s and the aesthetics of sensibilisation...

... and machine-human creative interactions. The history of the design, development, and implementation of interactive machine systems is shown also to be a history of theorizing the interweaving of the social, the improvisatory, and the aesthetic. computer music improvisation interaction design systems ...

... how the AACM aesthetically thickens its works/performances by inviting their analysis from both perspectives while simultaneously critiquing them. This act of genre thickening is then compared with the goal of art as promoted by those who advocate relational aesthetics, revealing a manner in which...

..., Compton relies on hip hop turning transformative “lit hop” in a socially and locally anchored yet transcultural aesthetics that both consumes and transforms its materials in improvisational performance. The DJ’s improvisation over fixed tracks becomes Compton’s model for the performing subject’s agency...

... the heterogeneity, the different scales and orders of music’s social mediation. But the social dimensions of music have also come to the fore in musicology in the past decade. A second goal of the chapter is to put this thinking into dialogue with the influential recent concepts of relational aesthetics...

...Digital Aesthetics, Social Texts, and Art Objects ...

... the heterogeneity, the different scales and orders of music’s social mediation. But the social dimensions of music have also come to the fore in musicology in the past decade. A second goal of the chapter is to put this thinking into dialogue with the influential recent concepts of relational aesthetics...

... social aesthetics improvisation relational aesthetics jazz popular music ...

... mediation participation music contemporary art social aesthetics ...

... mediation participation music contemporary art social aesthetics ...