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Series: Art History Publication Initiative
Published: 09 September 2016
DOI: 10.1215/9780822373681-003
EISBN: 978-0-8223-7368-1
... burden, and he took on an identity as a painter, which he declared to be the most empty, obsolete, and irrelevant occupation after the war. This chapter explores Fontana’s violent gestures of slitting and puncturing the canvas as a response to abstract expressionism, which he referenced repeatedly in his...