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sensation

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Published: 01 January 2009
DOI: 10.1215/9780822390817
EISBN: 978-0-8223-9081-7
Published: 19 March 2002
DOI: 10.1215/9780822383574
EISBN: 978-0-8223-8357-4
Published: 01 January 2018
DOI: 10.1215/9780822372356-002
EISBN: 978-0-8223-7235-6
Published: 20 December 2000
DOI: 10.1215/9780822381013-003
EISBN: 978-0-8223-8101-3
Published: 14 May 2014
DOI: 10.1215/9780822376637-012
EISBN: 978-0-8223-7663-7
Published: 01 February 2013
DOI: 10.1215/9780822395546-001
EISBN: 978-0-8223-9554-6
Published: 01 January 2009
DOI: 10.1215/9780822390817-001
EISBN: 978-0-8223-9081-7
Published: 01 January 2009
DOI: 10.1215/9780822390817-003
EISBN: 978-0-8223-9081-7
Published: 13 January 2017
DOI: 10.1215/9780822373377-003
EISBN: 978-0-8223-7337-7
... giving problems their names we also make these wrongs appear even more tangible. The chapter introduces the figure of the killjoy as the one who poses a problem because she exposes a problem. Throughout there is a concern with the role of sensation and emotion in building a feminist knowledge. ...
Published: 01 February 2013
DOI: 10.1215/9780822395546
EISBN: 978-0-8223-9554-6
Published: 01 February 2013
DOI: 10.1215/9780822395546-006
EISBN: 978-0-8223-9554-6
Published: 12 May 2017
DOI: 10.1215/9780822372899
EISBN: 978-0-8223-7289-9
Published: 01 February 2013
DOI: 10.1215/9780822395546-004
EISBN: 978-0-8223-9554-6
Published: 12 May 2017
DOI: 10.1215/9780822372899-007
EISBN: 978-0-8223-7289-9
... Chapter 5 examines the production of sensational melodramas outside Rio and São Paulo in the 1920s as the dynamics of the Brazilian economy fueled disparities between the urban Southeast and other regions. Film exhibition was also marked by geographic unevenness; serials and westerns were shown...
Book Chapter

By Anand Pandian
Published: 02 November 2015
DOI: 10.1215/9780822375166-009
EISBN: 978-0-8223-7516-6
... This chapter examines the use of color in the planning, shooting, and postproduction color correction of an experimental film set in nocturnal Chennai, pondering the conceptual challenges posed by color-related feeling and sensation in cinema. ...
Published: 05 February 2016
EISBN: 978-0-8223-7460-2
... canvas today, modeling the unique sensate materiality of yurlpa as a means to enliven Jukurrpa and keep it attached to the bodies and lifeworlds of its producers. Unlike in northern Australia, where there was a tradition of utilizing ochre in what first became known as “Aboriginal art”—bark paintings...
Published: 05 February 2016
DOI: 10.1215/9780822374602-006
EISBN: 978-0-8223-7460-2
Published: 05 February 2016
DOI: 10.1215/9780822374602-008
EISBN: 978-0-8223-7460-2
Book Chapter

By Sara Ahmed
Published: 13 January 2017
DOI: 10.1215/9780822373377-002
EISBN: 978-0-8223-7337-7
... how in giving problems their names we also make these wrongs appear even more tangible. The chapter introduces the figure of the killjoy as the one who poses a problem because she exposes a problem. Throughout there is a concern with the role of sensation and emotion in building a feminist knowledge...
Published: 05 February 2016
DOI: 10.1215/9780822374602-007
EISBN: 978-0-8223-7460-2
... This chapter is about yurlpa, the Warlpiri term for ochre. It tracks the use of yurlpa from the ground to the body to innovative uses by Lajamanu Warlpiri on board and canvas today, modeling the unique sensate materiality of yurlpa as a means to enliven Jukurrpa and keep it attached to the...