... rhizomatic roots interdisciplinarity self-naming black feminism ...

... today? Where should we look for inspiration, and to whom are we accountable? rhizomatic roots interdisciplinarity self-naming black feminism ...

... an understanding of the self as an embodied relation to the world. In his later philosophical work, he employs the image of flesh to name that which ties bodies and the world. Merleau-Ponty acknowledges the Christian echoes of his metaphors, which can be read as reinterpretations of the “carnal” strand...

... authorities’ assertion that Cuba was a “Catholic nation” heralded the heightened status of Catholicism in a young republic self-conscious of its national image—particularly with regard to race. The coronation is interpreted in relationship to the ascendance of another arts and letters movement, named...

..., the incarnation implies an understanding of the self as an embodied relation to the world. In his later philosophical work, he employs the image of flesh to name that which ties bodies and the world. Merleau-Ponty acknowledges the Christian echoes of his metaphors, which can be read as reinterpretations...

... of the finest poets ever to have written in Spanish since the language reached the southern Andes in the sixteenth century. As a whole, the poem expresses Saenz’s intimate search to transcend the deep chasm between self and other and to reconcile the truths of love and death. Saenz was fascinated by the city’s...

... of our will. Returning to folklore and fictional fables of willful girls, it explores how willfulness is used to diagnose disobedience and dissent as deriving from character flaws. The chapter offers a feminist history of willfulness in which a diagnosis becomes self-description. The chapter argues...

... church and state. Civic and church authorities’ assertion that Cuba was a “Catholic nation” heralded the heightened status of Catholicism in a young republic self-conscious of its national image—particularly with regard to race. The coronation is interpreted in relationship to the ascendance of another...

... the occasion of his lectures with his Indonesian audiences to observe Indonesian opinions and reactions. Anas Ma’ruf reports on Wright’s response to a question about African American contributions to American culture and compares Wright’s self-imposed exile to the experiences of a previous generation...

... theory that could end politics as war—and as production and self-production? In partial answer to that question, the essay arrives at a defense of Derrida’s democratic politics and his ethics of hospitality, with its insistence on the perilous conflicts and potentials that arise with the entrance...

... search to transcend the deep chasm between self and other and to reconcile the truths of love and death. Saenz was fascinated by the city’s dark underside and nocturnal fringes, and he captured the soul of its ancient, twisting streets and decaying neighborhoods in atmospheric prose. His exotic...

... or write. Perversely, these two things were all I wanted to do. I struggled to proceed from the mysterious unclarity on the page toward a coherence that was alluring, but never final. I discuss how this commitment to the unresolvable made literature enchanting. Later, self-doubt became a value, a starting...

...-based network of antiprison revolutionaries connected to the Black Liberation Army. The essay focuses on two self-published books originating in this formation: Settlers: Mythology of the White Proletariat by J. Sakai (1983) and Night Vision: Illuminating War and Class on the Neocolonial Terrain...

.... In doing so they decisively recast their lives as ongoing translations, both cultural and linguistic. Their reflections indicate how autobiographies are about self-becoming to the extent that they entail being and speaking otherwise. area studies United States contingency Benedict Anderson Arjun...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...