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scriptwriting

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Book Chapter

By Anand Pandian
Published: 02 November 2015
DOI: 10.1215/9780822375166-002
EISBN: 978-0-8223-7516-6
... This chapter examines the collaborative process of scriptwriting in a director’s office, broaching the intimacy of dream and reality in cinematic experience. ...
Published: 15 July 2010
DOI: 10.1215/9780822393238-004
EISBN: 978-0-8223-9323-8
... female script- writer boom (wakate josei kyakuhonka b¯umu). ‘‘This is the golden age of scriptwriters, isn’t it? Until now pro- ducers, directors or writers had equal chances to get into the limelight, while these days, it is young writers who attract the most attention from the production team...
Published: 15 June 2005
DOI: 10.1215/9780822386803-004
EISBN: 978-0-8223-8680-3
... turned Cuba into the capi- tal of mass-produced radionovela and telenovela scriptwriting for the Latin 116 the cubarican space revisited American region, there was no space—at least during the 1940s and 1950s— for Puerto Ricans to develop their scriptwriting skills. In terms of comedy shows...
Book Chapter

By Gabriella Lukács
Published: 15 July 2010
DOI: 10.1215/9780822393238-011
EISBN: 978-0-8223-9323-8
... Father Knows Best, 33, 36 Garasu no Kakeratachi (Shards), 85 Female scriptwriters, 105–8; boom of García Canclini, Néstor, 23, 118, 192 young (wakate josei kyakuhonka Genda Yûji, 160 bûmu), 91; casting decisions and, Gender discrimination, 65, 67, 71, 72...
Published: 15 July 2010
DOI: 10.1215/9780822393238-001
EISBN: 978-0-8223-9323-8
... conducted interviews with fourteen television professionals, each of whom worked as a producer or director for one of the three largest commercial networks. I also interviewed five freelance scriptwriters. In addition to the interviews, I conducted partici- Introduction...
Published: 01 January 2000
DOI: 10.1215/9780822397090-028
EISBN: 978-0-8223-9709-0
... Arseniev. Ku• rosawa's choice of material was not at all arbitrary; as early as in his assistant director days he was already interested in adapting Arseniev's narrative of exploration to film. During the Occupation, Kurosawa even asked the playwright and scriptwriter Hisaita Eijiro to draft a...
Book Chapter

By Mitsuhiro Yoshimoto
Published: 01 January 2000
DOI: 10.1215/9780822397090-031
EISBN: 978-0-8223-9709-0
... Madadayo are based on the scripts collaboratively written by Kurosawa and his close associates or, as in the cases of One Wonderful Sunday and No Regrets for Our Youth, by other scriptwriters. Each episode in Dreams is supposedly based on an actual dream Kurosawa had. It is therefore not...
Book Chapter

By Mitsuhiro Yoshimoto
Published: 01 January 2000
DOI: 10.1215/9780822397090-034
EISBN: 978-0-8223-9709-0
... Isuzu), scriptwriters (Hashimoto Shinobu, Hisaita Eijiro, Ki• kushima Ryuzo, Oguni Hideo), set designers (Matsuyama Takashi, Mu• raki Yoshiro), composers (Hayasaka Fumio, Sato Masaru, Takemitsu Toru), cinematographers (Miyagawa Kazuo, Nakai Asakazu), and nu• merous others, without whose efforts...
Book Chapter

By Yeidy M. Rivero
Published: 15 June 2005
DOI: 10.1215/9780822386803-007
EISBN: 978-0-8223-8680-3
... personal and phone interviews with Puerto Rican and Cuban media profes- sionals, family members of specific performers or scriptwriters, technical staff, and other creative people. At times, I exclude the names and professional affiliations of the interviewees, especially when dealing with the...
Published: 15 June 2005
DOI: 10.1215/9780822386803-001
EISBN: 978-0-8223-8680-3
... map routes through moments in 4 introduction history and observe the ways in which some producers, scriptwriters, and performers utilized the medium to discuss, reproduce, and sometimes even radically challenge dominant social, political, and racial discourses. To ex- plore locally produced...
Published: 17 March 2010
DOI: 10.1215/9780822392750-001
EISBN: 978-0-8223-9275-0
... Howard Becker’s term)∏ includes not only scriptwriters, filmmakers, distributors, censors, and critics, but also municipal- and state-level policymakers, professional planners, and—when their voice is heard—residents and grassroots activ- ists. In the case of Dragon Whisker Creek, we should take into...
Published: 01 January 2006
DOI: 10.1215/9780822387480-003
EISBN: 978-0-8223-8748-0
..., scriptwriters, and directors across national boundaries and create networks of exchange and cooperation between independent producers throughout the region. The sphere of narrative logic(s). A good part of the political frustration and demoralization of the young generation comes from the political...
Published: 01 January 2006
DOI: 10.1215/9780822387480-020
EISBN: 978-0-8223-8748-0
... scriptwriter in Mario Vargas Llosa’s Tía Julia y el escribidor had to belt out at least one chapter of his radio soap per day. This mode of production, arguably an example of (mass-mediated) cultural agency—insofar as a successful novela provides narratives that are discussed and then redeployed by radio...
Book Chapter

By Gabriella Lukács
Published: 15 July 2010
DOI: 10.1215/9780822393238-009
EISBN: 978-0-8223-9323-8
.... 7 Interview with Nariai Y¯uka, Tokyo, April 14, 2003. 8 A comment by Ota¯ (2004, 75) supports this observation: ‘‘In a Japanese dra- ma’s production process, casting comes first, even before scriptwriting. We do not choose actresses according to the role in a...
Published: 01 January 1999
DOI: 10.1215/9780822396963-004
EISBN: 978-0-8223-9696-3
..." of the epidemic at that point, and divergent interpretations of these facts by the characters. One of these is an actor in a daytime serial drama, another is the scriptwriter, and a high point of the film shows the scriptwriter gathered with his friends to watch and cheer his career triumph...
Published: 03 November 2008
DOI: 10.1215/9780822388678-008
EISBN: 978-0-8223-8867-8
... Street.10 Clare was another Oxford cinephile. Patrick stayed there sometimes when he was in London and Gene used to come over quite often after he moved to Paris. Gene moved to Paris after he lost his job at the New York Times. His attempts to become a scriptwriter there never worked out. In the...
..., director and screenwriter Crazy Guy 1996. International Scriptwriting Award, Sundance Film Festival. Beijing Bastards [Beijing zazhong] * Directed by Zhang Yuan. Co-written by Tang. 1992. Produced by the Beijing Bastards Group, made with aid from the Hubert Bals Fund. Distributed by Fortissimo Film...
Book Chapter

By Yeidy M. Rivero
Published: 15 June 2005
DOI: 10.1215/9780822386803-009
EISBN: 978-0-8223-8680-3
... Santos, Victor, 222 n.78 Streeter, Thomas, 9, 183 Scott, James C., 17, 112, 205 n.52 Student Nonviolent Coordinating Com- scripts, purchased from Cuba, 8, 23, mittee (sncc), 67 31–32, 115–17, 120 style, politics of, 107 scriptwriters, 115–18...
Published: 27 September 2002
EISBN: 978-0-8223-8405-2
... performance through poetry writing, per- formance, scriptwriting, and video production. Through their cable tv program The Real Deal, teens from diverse communities come together to produce independent videos on race relations, violence, drugs, ma...
Published: 15 July 2010
DOI: 10.1215/9780822393238-003
EISBN: 978-0-8223-9323-8
... discrimination is prevalent in the corporate world, and as a career woman, she was also exposed to it. Because the program- ming department was running behind with scheduling the drama, staff was assigned to the project at the last minute. Osaki¯ Masaya was the only scriptwriter...