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saxophone
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Published: 01 January 1994
DOI: 10.1215/9780822379430-022
EISBN: 978-0-8223-7943-0
Published: 14 September 2015
DOI: 10.1215/9780822375531-007
EISBN: 978-0-8223-7553-1
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-014
EISBN: 978-0-8223-7449-7
... This chapter explores the polarized reception of mid-1960s free jazz by focusing on its most instantly recognizable timbral gesture: the “saxophonic scream.” Music critics’ reactions to John Coltrane’s iconic use of the saxophonic scream variously read it as hysterical noise or as transcendent...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... reception of mid-1960s free jazz by focusing on its most instantly recognizable timbral gesture: the “saxophonic scream.” Music critics’ reactions to John Coltrane’s iconic use of the saxophonic scream variously read it as hysterical noise or as transcendent. Using an interpretive model that synthesizes...