... , Haile Gerima’s Sankofa , Saidiya Hartman’s Lose Your Mother, and Thomas Allen Harris’s é Minha Cara/That’s My Face, this chapter argues that these cultural productions have helped structure and advance the Afro-Atlantic imaginaries that are examined in subsequent chapters regarding homeland returns...

... theater sankofa trilogy , benu , which has no lgbt characters. Though d’bi.young openly identifies as queer, Gill argues that she actively refuses static categories of sexual orientation, especially if they are based on parochial presumptions about sex/gender transparency and stability, which invites...