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1-9 of 9 Search Results for
rigg
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Published: 15 November 2004
DOI: 10.1215/9780822386353-041
EISBN: 978-0-8223-8635-3
Published: 23 July 2003
DOI: 10.1215/9780822385103-002
EISBN: 978-0-8223-8510-3
Series: Series Q
Published: 01 January 1995
DOI: 10.1215/9780822397441-031
EISBN: 978-0-8223-9744-1
... I Just Love Andy Gibb: A Play in One Act black gay men Marlon Riggs racism ...
Published: 10 June 2016
DOI: 10.1215/9780822374657-027
EISBN: 978-0-8223-7465-7
... In this chapter, Lawrence La Fountain-Stokes examines Charles Rice-González’s I Just Love Andy Gibb: A Play in One Act . He frames this engagement by asserting, following Marlon Riggs, that “black men loving men is the revolutionary act.” Reading selected scenes from I Just Love Andy Gibb...
...Part IX In this chapter, Lawrence La Fountain-Stokes examines Charles Rice-González’s I Just Love Andy Gibb: A Play in One Act . He frames this engagement by asserting, following Marlon Riggs, that “black men loving men is the revolutionary act.” Reading selected scenes from I Just Love...
Published: 09 March 2015
DOI: 10.1215/9780822375654-009
EISBN: 978-0-8223-7565-4
... in the ethnographic project itself. From a discussion of Marlon Riggs’s filmic depiction of his own death (as one way to talk about the nondigital) to a machine that uses digital technology to play with temporality in broadcast television, this essay asks what the changing social relations (and existential realities...
Published: 29 April 2016
DOI: 10.1215/9780822374510-004
EISBN: 978-0-8223-7451-0
... Ligon’s pastiche notices for runaway slaves; film essays by Ngozi Onwurah, Raoul Peck, and Marlon Riggs, and installations by Zarina Bhimi, the chapter argues that Fanon’s insights into the racial formation of subjectivity are undiminished in their contemporary relevance, even as problems of homophobia...
Published: 29 April 2016
DOI: 10.1215/9780822374510-002
EISBN: 978-0-8223-7451-0
... Boyce’s collages and Glenn Ligon’s pastiche notices for runaway slaves; film essays by Ngozi Onwurah, Raoul Peck, and Marlon Riggs, and installations by Zarina Bhimi, the chapter argues that Fanon’s insights into the racial formation of subjectivity are undiminished in their contemporary relevance, even...
