Search Results for real person fiction

... alternate universe real person fiction Bangtan Universe participatory “Euphoria” ...

... affectionate receptions of the story world. BTS members, in particular, have encouraged intricate mediation between fan-generated narrative genres and their celebrity personas. Focused on the genres of Real Person Fiction (RPF) and Alternate Universe (AU), the chapter tracks how fans interact with celebrity...

... The scene of the crime in the age of social systems and crime fiction are shown to test out modern distinctions between real and fictitious persons and real reality and fictional reality, and a good way to locating its modes of transmission, observation, and connection: modes of vicarious crime...

... as a connective tissue across real life and fiction. This chapter’s integration of Falk’s and Cassavetes’s various work together, then, is also an intertwining of “real life” and “fiction” in and outside of Columbo . John Cassavetes Gena Rowlands Woman under the Influence New Hollywood Dick Cavett ...

... of the Bangtan Universe borrows heavily from two genres of fan fiction to engage ARMY’s affectionate receptions of the story world. BTS members, in particular, have encouraged intricate mediation between fan-generated narrative genres and their celebrity personas. Focused on the genres of Real Person Fiction...

... in The scene of the crime in the age of social systems and crime fiction are shown to test out modern distinctions between real and fictitious persons and real reality and fictional reality, and a good way to locating its modes of transmission, observation, and connection: modes of vicarious crime. Via crime...

... professional careers. These novels helped her to construct a sense of the kind of person she wanted to be and what she wanted to do with her life, as well as to come to terms with ongoing distressing issues in her own family for which she could find no solution in the real world. Zakira Begam Urdu...

..., though they are about the same life. Nevertheless, they become the spur for her writing and offer a clue to how she finally resolves her dilemma, in her fiction. Nayantara Sahgal personal/political reveal/conceal relational autobiography This chapter examines the life writings of Nazr...

... fictions of territorial control embedded in European-drawn maps of the Caribbean and sheds light on European perceptions of indigenous peoples. In short, this chapter argues that the Cunas and the Wayuu, like the people Ira Berlin and Jane Landers called Atlantic creoles, were cosmopolitan in the fullest...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Maria Child’s Antislavery Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...

... Fiction and the Limits of Genre,” in Shirley Samuels, ed., The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America (New York: Oxford University Press, 1992), 58–72; and Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America (Berkeley...