... monochrome readymade Cold War ...

... Marcel Duchamp readymade signature identity humor ...

... This chapter examines the late nineteenth- and early twentieth-century development of “scientific management” by Fredrick Winslow Taylor as a way of understanding the racial and colonial ideology of contemporaneous avant-garde art forms such as “found,” “readymade,” and the post-studio aesthetic...

... that continued to culturally ramify, at once latent and prefigurative, in the sudden and difficult convergence of the readymade and abstract painting. monochrome readymade Cold War ...

..., seemingly intuitively, the three basic identity supports that are the proper name, the portrait, and the imprint. The portrait is drawn with a pencil, the cheek is a molded imprint of the artist’s, and the work is signed Tongue in Cheek , Marcel Duchamp, 1959. Marcel Duchamp readymade signature...

... The Introduction explores how the history of postwar Western art (e.g., film, art exhibitions, literature, paintings, jazz, material sculptures, readymades, theater, graphic art) has been constructed and written about. The collected chapters excavate a brief period of historical time and provide...