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radio production

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Series: Latin America Otherwise
Published: 01 January 2004
DOI: 10.1215/9780822385462-027
EISBN: 978-0-8223-8546-2
Book Chapter

By Daniel Fisher
Published: 29 April 2016
EISBN: 978-0-8223-7442-8
... digital audio the voice radio production ...
Published: 29 April 2016
DOI: 10.1215/9780822374428-004
EISBN: 978-0-8223-7442-8
... This chapter explores forms of vocal training and musical imagination in radio and music production and the reflexive, metapragmatic concern with the voice in performance that these entail. It describes how Aboriginal radio producers negotiate multiple tensions between their understandings...
Series: Console-ing Passions
Published: 04 March 2015
DOI: 10.1215/9780822375685-002
EISBN: 978-0-8223-7568-5
... of a public broadcasting system. Prior to the establishment of television in Cuba, the broadcasting laws that governed radio programming were the product of a balancing act between the public, the private sector, and the State, in which the laws tilted to the perceived needs of the citizenry. These laws also...
Published: 01 April 2015
DOI: 10.1215/9780822375494-014
EISBN: 978-0-8223-7549-4
... literatures by reference to ethnographic fieldwork on radio and music production in Aboriginal Northern Australia. Ethnographic work within this field of Indigenous cultural production frames radio’s power through the ways it stages intimacy as the foundation of collective self-abstraction, foregrounding...
Book Chapter

By Daniel Fisher
Published: 29 April 2016
DOI: 10.1215/9780822374428-001
EISBN: 978-0-8223-7442-8
... The introduction discusses the book’s ethnographic scope and theoretical problematic, introducing the concept of the vocal uncanny and outlining the different ways in which the voice is made the subject of an expressive, institutional, and technologically informed reflexivity in radio and music...
Published: 29 April 2016
DOI: 10.1215/9780822374428-007
EISBN: 978-0-8223-7442-8
... This chapter provides an ethnographic account of representational conflict between a missionary, church-supported radio network serving the specific interests of northeast Arnhem Land’s Yolngu people, and TEABBA, who sought to reach a more diverse Indigenous audience that would include Yolngu...
Series: Refiguring American Music
Published: 02 September 2015
DOI: 10.1215/9780822375326-007
EISBN: 978-0-8223-7532-6
... This chapter identifies the factors surrounding Bing Crosby’s survival of the attacks against crooners and analyzes every stage of his career and media production from the 1920s through the early 1940s, from his live performances as part of the famous Rhythm Boys singing trio in Paul Whiteman’s...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... into the resurgent groove. Released on West End in early 1981, “Heartbeat” became a standout release. Tee Scott came as close as anyone to keeping pace with Levan. Continuing to mesh innovative production values with a rhythm and blues groove, Kevorkian completed his own flurry of releases. The new wave of releases...
Series: The Latin America Readers
Published: 06 July 2018
DOI: 10.1215/9780822371618-110
EISBN: 978-0-8223-7161-8
.... The cueca is a popular dance in Bolivia, and Santiesteban’s verses, presented below, say farewell to many of the distinctive features of Llallagua. They take leave of the town’s religious festival, held in August for the Virgin of Asunta. They take leave of the two famous radio stations that residents...
Series: The Latin America Readers
Published: 06 July 2018
DOI: 10.1215/9780822371618-073
EISBN: 978-0-8223-7161-8
... community ( ayllu ) and sought to go beyond the mere inculcation of literacy—which was the key focus of other educational efforts in the period—by linking education to productive communal labor and collective civic engagement. The school’s ethos was egalitarian and its democratic governance was based...
Series: The Latin America Readers
Published: 06 July 2018
DOI: 10.1215/9780822371618-091
EISBN: 978-0-8223-7161-8
... resigned from the offcial Spanish television channel under the Franco dictatorship and gained a new lease on life in Bolivia in 1968. He immediately adopted Bolivian citizenship and gradually became involved in the social and political problems of his new country through radio, photography, film reviews...