... late liberalism quasi-event difference markets geontopower ...

... affective fact affective politics virtual quasi-cause political legitimation ...

... status of threat: threats may be “real” (i.e., correspond to an actual danger) or they may be felt into existence. If I am afraid, I felt a threat. It is immaterial whether it was present or not. An immaterial cause that is not actually present is a virtual cause (a “quasi-cause”). Ontopower involves...

... liberalism has used to legitimate the harms of its governance of difference (between humans and between forms of existence) and markets. late liberalism quasi-event difference markets geontopower ...

... that constitute this work of quasi-cinematic writing; and the place of images and image making in the ecology of contemporary life. creativity power agency emergence expression image ...

..., adventurousness, and position on the margins of mainstream adult society suggests a lighthearted twist on elements of the popular knights-errant genre. At the same time, in its use of invented city names based on geometric shapes, the story conjures a somewhat surreal atmosphere and a quasi-sci-fi sensibility...

... felt a threat. It is immaterial whether it was present or not. An immaterial cause that is not actually present is a virtual cause (a “quasi-cause”). Ontopower involves a politics of the virtual. affective fact affective politics virtual quasi-cause political legitimation ...

.... In so doing, he demonstrates how the quasi-resolution of the play’s comic plot and tragic subplot depends on the neutralization of a figure of excessive enjoyment (Shylock) whose problematic ability to utter a final reply to the main characters has a profoundly disturbing effect on the imaginary closure...

... Chapter 1 demonstrates how literary texts creatively mine and transform a silenced history of suicide under French slavery, using points of suicidal resistance as occasions for remaking Caribbean history. Fabienne Kanor’s fugue-like text Humus (2006) and Daniel Maximin’s quasi-epistolary novel...

..., they could present themselves as people who could mediate between the tourists’ everyday lives and Canada’s vast natural landscape. Chapter 4 addresses how this aura was produced through the deployment of fictive kinship terms and the development of quasi-family relationships in the transnational workers...

... into a quasi-public good. Yet for agents situated on other sides of streaming’s multisided market (labels, publishers, and the platforms themselves), music remains thoroughly commodified. On the one hand, on streaming platforms music appears to users as simply there, as something free for the taking, much...

... enactment of recorded music as a quasi-public good at one level to reinscribe music within the regime of private property at another. music streaming metadata interface intellectual property ...

... essays and novel, this chapter proposes that these moments are not isolated but quasi-autobiographical/-allegorical. Attentive to the women in Ellison's life who instantiate his aesthetic proclivities, despite his citation of white male authors as “ancestors,' the chapter suggests that each woman, mother...

... comedy and its incipient tragedy to the libidinal dynamics of social exclusion and ideological fantasy at the beginning of the modern epoch. In so doing, he demonstrates how the quasi-resolution of the play’s comic plot and tragic subplot depends on the neutralization of a figure of excessive enjoyment...

... through quasi-legal means at best or illegal means at worst. This chapter is part of a larger four-year project that studies an undercover police investigative team. The project examines three particular aspects of their work. First, it addresses the modes and conditions in which the team makes ethical...