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post-black

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Published: 12 October 2007
DOI: 10.1215/9780822390411-011
EISBN: 978-0-8223-9041-1
Published: 09 October 2020
DOI: 10.1215/9781478012269-020
EISBN: 978-1-4780-1226-9
...Black Diasporic Dialogues in Post- Soviet Cuba Solidarity between Cuba and African Americans has a fairly long history. In the postrevolutionary period, Cuban leaders sought to reach out directly to Black Power movements, and Cuba served as a haven for black militants flee- ing political...
Published: 01 January 2000
DOI: 10.1215/9780822396031-028
EISBN: 978-0-8223-9603-1
Published: 13 April 2007
DOI: 10.1215/9780822389491-004
EISBN: 978-0-8223-8949-1
Published: 30 July 2014
DOI: 10.1215/9780822376354-002
EISBN: 978-0-8223-7635-4
Published: 29 April 2016
DOI: 10.1215/9780822374510-019
EISBN: 978-0-8223-7451-0
... that interprets shifts from modern and postmodern to contemporary in a linear narrative that terminates in “post-black.” Such a narrative does not comprehend the temporalities of deferral and return that allow diaspora and postcolonial artists to examine the condition of “aftermath” in present-day...
Published: 29 April 2016
DOI: 10.1215/9780822374510-015
EISBN: 978-0-8223-7451-0
... interprets shifts from modern and postmodern to contemporary in a linear narrative that terminates in “post-black.” Such a narrative does not comprehend the temporalities of deferral and return that allow diaspora and postcolonial artists to examine the condition of “aftermath” in present-day predicaments...
Published: 16 September 2016
DOI: 10.1215/9780822373711-003
EISBN: 978-0-8223-7371-1
Published: 08 January 2016
EISBN: 978-0-8223-7494-7
... “post-9/11 Brown”—an antiracist global political subjectivity that critiques U.S. empire. Linking racism at home to imperialism abroad, hip hop artists draw on the potentially democratizing technologies of social media (i.e., YouTube and Facebook) to broadcast their critiques of politicians and living...
Published: 24 March 2017
DOI: 10.1215/9780822373025-003
EISBN: 978-0-8223-7302-5
... two dimensions of the conjuncture in which the problem of identity emerged: on the one hand, “New Times,” described in terms of a post-Fordist reorganization of capitalism, that witnessed a general sense of fragmentation of identity; and, on the other, the emergence of the post- Windrush generation...
Published: 30 September 2015
DOI: 10.1215/9780822375111-004
EISBN: 978-0-8223-7511-1
... reinscribed older patterns of exclusion. The chapter argues that the urban policy continuity from the late apartheid to the early post-apartheid period—the often ignored history of site-and-service schemes—demands greater scholarly attention. In effect, by delivering poor-quality housing to blacks on the city...
Published: 09 April 2021
DOI: 10.1215/9781478021360-003
EISBN: 978-1-4780-2136-0
... creativity. Death by violent anti-Black action and the curtailment of Black freedom are so fundamentally a part of Black life that to ignore their constitutive role is to sidestep Black life in its entirety. And yet our contemporary dis- course has been to assume Black freedom has been achieved as post...
Published: 08 May 2020
EISBN: 978-1-4780-0224-6
... Performing Arts, Buffalo, New York. Paul Richard, Black Art, Politics, Messages, Washington Post, April 1973. Review of afri cobra iii exhibition at Howard University Gallery of Art, Washington, DC. Barbara Jones- Hogu, The History, Philosophy and Aesthetics of afri cobra, in the exhibition catalog for...
Published: 09 April 2021
DOI: 10.1215/9781478021360-005
EISBN: 978-1-4780-2136-0
... yet another example of the ways in which Black personhood is denied access to the post-Enlightenment human. The slave child was not a child; they had no childhood as such. In that ab- sence, we might locate the institutionality of childhood as a practice and a knowledge that is always launched against...
Published: 03 March 2017
DOI: 10.1215/9780822373308-005
EISBN: 978-0-8223-7330-8
... attendant continued racism and injustices in public fashion. It then considers post-1965 Black return migrations to the U.S. South and how these travelers within the United States have either forged separatist communities or invented their African selves as is enacted by the nearby Gullah sea island culture...
Published: 03 March 2017
DOI: 10.1215/9780822373308-001
EISBN: 978-0-8223-7330-8
... The introduction traces the journeys that helped establish Afro-Atlantic speculation as a genre and modality that opens up possibilities for Black American social life in the post-1965 moment. Beginning with the collective mind-set that began to develop among Africans aboard ships during the...
Published: 31 August 2015
DOI: 10.1215/9780822375418-004
EISBN: 978-0-8223-7541-8
... performance of collective protection. This chapter engages the reconstructions of the figure of mammy, using images by Betye Saar and Joe Overstreet. There is a need in a post 1960s moment of black recreation to reconcile the imagistic mammy with her assumed allegiance to white domesticity. Artists fit mammy...
Published: 09 April 2021
DOI: 10.1215/9781478021360-012
EISBN: 978-1-4780-2136-0
... logic of contemporary drapetomania writes the illness onto the hoodie and sagging pants and into Black youth musical and other expressive choices and culture. Thus, Black states of be- ing in which the Black life-form seeks to deform the very context of post- Slave Ship Logics / Logistics 53...
Published: 28 February 2020
DOI: 10.1215/9781478009009-001
EISBN: 978-1-4780-0900-9
... art: the New Negro Movement, the Black Arts Movement, and the Post- Soul Aesthetic. Histori- cizing these movements is critical for understanding Black popu lar culture as not simply entertainment but an integral space for Black intellectual de- bate around Black subject making. The publication of...
Published: 29 April 2016
DOI: 10.1215/9780822374510-006
EISBN: 978-0-8223-7451-0
... This chapter offers a midcareer review of cut-and-mix collage strategies in black British artist Keith Piper’s multimedia art practice, which spans painting, installation, computer-generated montage, and video. Approached as a “history painter” of post-Empire Britain, in that his art bears...