... You certainly don’t need to be a cosmopolitan to travel, but travel is an expression of cosmopolitan impulses. Travel at its best embodies the values expressed by the Roman playwright Terence: “I am a human being, I consider nothing that is human alien to me.” For travelers, the world is far...

..., and on the value of gratitude and hospitality. The chapter describes one particular workshop that Rosemarie and Vincent led at a Council Grove retreat in the 1990s. It also discusses the work of playwright George H. Bass as an inspiration for Rosemarie and Rachel’s vision of a deeply multicultural, genre-mixing...

... Lyndon K. Gill’s essay engages the life and work of black queer Jamaican Canadian storyteller, playwright, and actor d’bi.young as a way to read the radical queerness of one of her seemingly least queer plays. First providing a brief history of the dub music genre, an aural aesthetic birthed...

..., and on the value of gratitude and hospitality. The chapter describes one particular workshop that Rosemarie and Vincent led at a Council Grove retreat in the 1990s. It also discusses the work of playwright George H. Bass as an inspiration for Rosemarie and Rachel’s vision of a deeply multicultural, genre-mixing...

.... Travel at its best embodies the values expressed by the Roman playwright Terence: “I am a human being, I consider nothing that is human alien to me.” For travelers, the world is far more open than it was at any point in history. A cosmopolitan perspective permits that individual identities are not fixed...