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John P. Bowles
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Published: 01 April 2011
DOI: 10.1215/9780822393733-002
EISBN: 978-0-8223-9373-3
Published: 01 April 2011
DOI: 10.1215/9780822393733
EISBN: 978-0-8223-9373-3
Published: 01 March 2011
DOI: 10.1215/9780822393085-002
EISBN: 978-0-8223-9308-5
Book: B Jenkins
Series: Refiguring American Music
Published: 01 January 2010
DOI: 10.1215/9780822392675-028
EISBN: 978-0-8223-9267-5
Published: 01 January 1998
DOI: 10.1215/9780822396109-013
EISBN: 978-0-8223-9610-9
Published: 29 April 2016
DOI: 10.1215/9780822374510-006
EISBN: 978-0-8223-7451-0
... This chapter offers a midcareer review of cut-and-mix collage strategies in black British artist Keith Piper’s multimedia art practice, which spans painting, installation, computer-generated montage, and video. Approached as a “history painter” of post-Empire Britain, in that his art bears...
Book Chapter
Published: 01 April 2011
DOI: 10.1215/9780822393733-001
EISBN: 978-0-8223-9373-3
Published: 01 January 2005
DOI: 10.1215/9780822386445-003
EISBN: 978-0-8223-8644-5
Series: New Americanists
Published: 07 May 1996
DOI: 10.1215/9780822382027-011
EISBN: 978-0-8223-8202-7
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... Danceteria Jim Fouratt Rudolf Piper Mark Kamins Sean Cassette midtown ...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... Danceteria Jim Fouratt Rudolf Piper Ruth Polsky Club 57 Mudd Club ...
Published: 09 September 2016
DOI: 10.1215/9780822373926-004
EISBN: 978-0-8223-7392-6
... Danceteria sent shockwaves through the city’s party scene when it opened in May 1980, all the way to the Mudd Club, where owners Jim Fouratt and Rudolf Piper had spent a fair amount of time hanging out. Dedicating the basement to DJ-ing, the first floor to live bands, and the second floor...
Published: 01 April 2011
DOI: 10.1215/9780822393733-003
EISBN: 978-0-8223-9373-3
Published: 01 April 2011
DOI: 10.1215/9780822393733-004
EISBN: 978-0-8223-9373-3
Published: 01 April 2011
DOI: 10.1215/9780822393733-005
EISBN: 978-0-8223-9373-3
