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Published: 27 May 2016
EISBN: 978-0-8223-7426-8
Published: 01 January 2004
DOI: 10.1215/9780822385691-009
EISBN: 978-0-8223-8569-1
Published: 01 January 2006
DOI: 10.1215/9780822387763-008
EISBN: 978-0-8223-8776-3
Published: 26 October 2018
DOI: 10.1215/9781478002437-018
EISBN: 978-1-4780-0243-7
...The Factory, the Coat, the Piano, and the “Negro Slave”:<subtitle>On the Afro-Atlantic Sources of Marx’s Fetish</subtitle> ...
Series: Sinotheory
Published: 16 November 2018
DOI: 10.1215/9781478002208-007
EISBN: 978-1-4780-0220-8
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-008
EISBN: 978-0-8223-7449-7
... the “data” with a Disklavier Pro digital piano. In another twist, classical pianist Steven Mayer has transcribed, memorized, and performed a panoply of Tatum works for the past two decades. What role does the body play in these performances? What does its absence, in different forms for each case, tell us...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... “performed” in front of a live audience, despite his death in 1956. This 2007 re-performance was realized using technology invented by Zenph Innovations that analyzes recordings to separate performances from their recorded media. Zenph then reanimates the “data” with a Disklavier Pro digital piano...