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Published: 03 August 2010
DOI: 10.1215/9780822391227-001
EISBN: 978-0-8223-9122-7
Published: 25 May 2015
DOI: 10.1215/9780822375401-006
EISBN: 978-0-8223-7540-1
... This chapter looks at the production and performance of the Japanese-language theatrical adaptation of the iconic The Tale of Ch’unhyang (春香傳). This chapter details the complex process of translation and adaptation that led to the play’s performance, locating the play in the contemporary context...
Published: 10 June 2016
DOI: 10.1215/9780822374657-018
EISBN: 978-0-8223-7465-7
... In this chapter, Marlon M. Bailey employs an insider perspective to examine Cedric Brown’s play Cuban Hustle . Having performed in a production of the play, Bailey engages the play from the perspective of how its thematics highlight the limited erotic possibilities and marginalization of black...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-018
EISBN: 978-0-8223-7449-7
.... This chapter considers the corpus of shared cultural references conjured up at two of these events—a pageant and a musical performance—and discusses the ways that corpus was resignified in the course of improvisational interactions among performers and spectators. Finally, it looks at how the commemorative...
Published: 04 September 2015
DOI: 10.1215/9780822375296-002
EISBN: 978-0-8223-7529-6
... Post-9/11 security cultures cultivate transparency chic, or the artful performance of consumer and suspect. The chapter analyzes the Transportation Security Administration’s policies and procedures for monitoring the things that passengers carry onto planes. The airport is akin to a maximum...
Published: 04 September 2015
DOI: 10.1215/9780822375296-006
EISBN: 978-0-8223-7529-6
... environment. The demand for affective transparency within airports potentially poses a threat to public participation beyond, insofar as it isolates members of the public, each of whom may be caught in a private experience of the terror of suspicion, and breeds conformity via the pressure to perform...
Published: 12 October 2015
DOI: 10.1215/9780822374978-009
EISBN: 978-0-8223-7497-8
Published: 12 October 2015
DOI: 10.1215/9780822374978-011
EISBN: 978-0-8223-7497-8
... speak in stylized registers. Their autobiographies reveal a kind of doubled performativity, by which the self is twice created, both as a stage performer and as a social being. In the case of Jayshankar Sundari, a female impersonator of the highest order, the chapter analyzes the revealing and occlusion...
Series: Religious Cultures of African and African Diaspora People
Published: 01 January 2016
EISBN: 978-0-8223-7484-8
Series: Religious Cultures of African and African Diaspora People
Published: 01 January 2016
DOI: 10.1215/9780822374848-007
EISBN: 978-0-8223-7484-8
Series: a John Hope Franklin Center Book
Published: 22 August 2003
DOI: 10.1215/9780822385318
EISBN: 978-0-8223-8531-8
Series: Perverse modernities
Published: 02 November 2005
DOI: 10.1215/9780822387442
EISBN: 978-0-8223-8744-2
Published: 09 July 2007
DOI: 10.1215/9780822389941
EISBN: 978-0-8223-8994-1
Series: e-Duke books scholarly collection.
Published: 08 June 2010
DOI: 10.1215/9780822392736
EISBN: 978-0-8223-9273-6
Published: 01 January 2009
DOI: 10.1215/9780822389460
EISBN: 978-0-8223-8946-0
Published: 28 February 2020
DOI: 10.1215/9781478009191
EISBN: 978-1-4780-0919-1
Published: 15 January 2003
DOI: 10.1215/9780822384632-007
EISBN: 978-0-8223-8463-2
Published: 26 February 2003
DOI: 10.1215/9780822384472-004
EISBN: 978-0-8223-8447-2
Published: 16 February 2005
EISBN: 978-0-8223-8664-3
Published: 20 August 2003
EISBN: 978-0-8223-8522-6