... music music studies aesthetics performance critical musicology ...

... performance criticism radical feminism Allan Kaprow Charlotte Moorman Betty Friedan ...

... “identity” and performance work. Finally, Cardona discusses his relationship to theater and performance critics and scholars. Ah mén queerness theater and performance ...

... performance interrupted by an audience member (and Johnston); and on a 1970 comedic piece about Johnston’s interruption of a Betty Friedan speech at a feminist fundraiser. performance criticism radical feminism Allan Kaprow Charlotte Moorman Betty Friedan ...

... A critical first step in denaturalizing the category of voice entails understanding the common and naturalized meanings “voice” has in English, and by extension, in the Euro-Western context. While the sonorous and material aspects of voice typically serve as the constitutive outside when “voice...

... music studies aesthetics performance critical musicology ...

... potential interests and investments in applying the term “queer” to his “identity” and performance work. Finally, Cardona discusses his relationship to theater and performance critics and scholars. Ah mén queerness theater and performance ...

.... By superimposing disparate aporias in the historical record, it allows for will to emerge through critical acts of imagination that are placed in conversation with traditional historical evidentiary processes. Genealogies of performance Archive South African history Free labor South African slavery ...

... The introduction locates the editors’ shared political investments in the activist work of Sylvia Rivera and Marsha P. Johnson, explaining that the book stages a dialogue between queer black and brown performance works and critical traditions. The editors explicate the project’s key terms...

..., individual and group interviews, and archival research. It also places the overall book in dialogue with existing literature on embodied histories, performed nationalisms, and spirit possession, in order to argue that bodies in everyday life performances are critical tools for social change. body...

... The third chapter delves into the work of attunement as critical corporeal method. The chapter analyzes This ember state (2018), a performance by sound artist Samita Sinha that reworks the myth of Sati, the self-immolating Hindu goddess, to highlight rage and its entanglements with combustion...

... In this chapter, Jennifer DeVere Brody situates E. Patrick Johnson’s play Strange Fruit within a critical genealogy of black gay image-making. Brody asserts that Johnson’s artistic work, along with that of other black queer men, facilitated the emergence of black queer studies. Brody...

... This chapter provides a critical reading of the gendered musical performances in the Iñupiaq filmmaker Andrew Okpeaha MacLean’s Sikumi (2008) and On the Ice (2011) to understand the problematics in how Iñupiat people have embraced processes of globalization, cosmopolitics, and musical...

... favor critically or financially as an independent film, as an art film, or as a black film by contextualizing it within the historiography of 1991 as a sign of dispute with the popular and delimiting assessments of black film. performativity passing historiography art cinema independent film ...

... Chytrids are unloved microbes. One kind of chytrid, Batrachochytrium dendrobatidis , is destroying the worlds of amphibians. Hundreds or thousands of species of frogs, salamanders, and legless amphibians called caecilians are on the brink of extinction as a result. Other chytrid species perform...

... This essay examines the critical and social potential of the contemporary performance projects of an Iraqi American artist, Wafaa Bilal. It argues that close attention to the nonvisual sensory elements of his work offers a method of gleaning evidence of the histories, geographies, and sentiments...

... With the publication of her first novel in 1990, writer/performer Jessica Hagedorn emerged onto the national literary scene in the midst of U.S. culture wars. The era’s two critical currents of liberal multiculturalism and postcolonial studies impacted how scholars and readers figured Hagedorn’s...

...Part III In this chapter, Jennifer DeVere Brody situates E. Patrick Johnson’s play Strange Fruit within a critical genealogy of black gay image-making. Brody asserts that Johnson’s artistic work, along with that of other black queer men, facilitated the emergence of black queer studies...

.... The discussion examines how Nuyorican poets have engaged in counterinstitutional critique, expanding on their artistic practice through embodied performances, independent publishing endeavors, and collaborations. Drawing from the realms of art criticism and literary analysis, the chapter delves into the dynamic...