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musical

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Disintegrating the Musical: Black Performance and American Musical Film

By Arthur Knight
Published: 24 July 2002
DOI: 10.1215/9780822384106
EISBN: 978-0-8223-8410-6
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Tropical Renditions: Making Musical Scenes in Filipino America

By Christine Bacareza Balance
Series: Refiguring American Music
Published: 22 April 2016
DOI: 10.1215/9780822375142
EISBN: 978-0-8223-7514-2
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The Political Force of Musical Beauty

By Barry Shank
Series: Refiguring American Music
Published: 17 March 2014
DOI: 10.1215/9780822376750
EISBN: 978-0-8223-7675-0
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Soundtracks of Asian America: Navigating Race through Musical Performance

By Grace Wang
Published: 10 December 2014
DOI: 10.1215/9780822376088
EISBN: 978-0-8223-7608-8
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A Language of Song: Journeys in the Musical World of the African Diaspora

By Samuel Charters
Published: 15 April 2009
DOI: 10.1215/9780822392071
EISBN: 978-0-8223-9207-1
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Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism

By Raymond Knapp
Published: 02 February 2018
DOI: 10.1215/9780822372400
EISBN: 978-0-8223-7240-0
Book Chapter

First Black Music Historian James Trotter, Music and Some Highly Musical People: The Lives of Remarkable Musicians of the Colored Race , 1878

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-009
EISBN: 978-1-4780-2139-1
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Book Chapter

First Hit Songwriter, from Pop to Folk and Back Again Morrison Foster, Biography, Songs and Musical Compositions of Stephen C. Foster , 1896

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-012
EISBN: 978-1-4780-2139-1
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Book Chapter

Broadway Musical as Supertext Edna Ferber, Show Boat , 1926

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-026
EISBN: 978-1-4780-2139-1
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Book Chapter

Ethnic Studies of Blended Musical Identities George Lipsitz, Time Passages: Collective Memory and American Popular Culture , 1990

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-122
EISBN: 978-1-4780-2139-1
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Book Chapter

Musicology on Popular Music-In Pragmatic Context Richard Crawford, The American Musical Landscape , 1993

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-129
EISBN: 978-1-4780-2139-1
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Book Chapter

Salsa and the Mixings of Global Culture Lise Waxer, City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia , 2002

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-151
EISBN: 978-1-4780-2139-1
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Book Chapter

Musicals as Pop, Nationalism, and Changing Identity Stacy Wolf, A Problem Like Maria: Gender and Sexuality in the American Musical , 2002

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-152
EISBN: 978-1-4780-2139-1
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Book Chapter

Musical Fiction and Criticism by the Greatest Used Bookstore Clerk of All Time Jonathan Lethem, Fortress of Solitude , 2003

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-153
EISBN: 978-1-4780-2139-1
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Book Chapter

Poetic Ontologies of Black Musical Style Fred Moten, In the Break: The Aesthetics of the Black Radical Tradition , 2003

By Eric Weisbard
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-154
EISBN: 978-1-4780-2139-1
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Book Chapter

Musical Travels of the Coconut Isles and the Socialist Popular

By Michael K. Bourdaghs, Jennifer Lindsay, Paola Iovene, Kaley Mason
Published: 21 May 2021
DOI: 10.1215/9781478013143-003
EISBN: 978-1-4780-1314-3
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Book Chapter

Musical Economies of the Elusive Metropolis

By Ronald Radano, Gavin Steingo, Tejumola Olaniyan
Series: Refiguring American Music
Published: 08 January 2016
DOI: 10.1215/9780822374947-012
EISBN: 978-0-8223-7494-7
... This essay examines the music industry in post-apartheid South Africa as a mode of “immaterial production.” Following the work of Italian autonomous Marxist theorists, Steingo argues that because this form of production is decentered, boundless, and immediately social, it is closely associated...
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Book Chapter

Magic Realist Tokyo Poe’s “The Man That Was Used Up” as a Subtext for Bartók-Terayama’s Magical Musical The Miraculous Mandarin

By Takayuki Tatsumi
Series: Post-Contemporary Interventions
Published: 06 June 2006
DOI: 10.1215/9780822388012-011
EISBN: 978-0-8223-8801-2
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Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana

By Steven Feld
Published: 09 March 2012
DOI: 10.1215/9780822394969
EISBN: 978-0-8223-9496-9
Book Chapter

Syncopated City New York in Musical Film (1929–1961)

By Scott Bukatman
Published: 30 June 2003
DOI: 10.1215/9780822384892-008
EISBN: 978-0-8223-8489-2
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