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music circulation

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Published: 13 May 2013
DOI: 10.1215/9780822397540
EISBN: 978-0-8223-9754-0
Published: 08 January 2016
EISBN: 978-0-8223-7494-7
... This essay explores the relation between the worldwide circulation of vernacular phonograph music in the late 1920s and the dialectic of colonization and decolonization. The boom in recorded vernacular musics—from son to jazz, samba to kroncong, marabi to beguine—that took place between the...
Published: 02 March 2010
DOI: 10.1215/9780822394150-017
EISBN: 978-0-8223-9415-0
Published: 01 January 2013
DOI: 10.1215/9780822395904-006
EISBN: 978-0-8223-9590-4
Published: 23 December 2019
DOI: 10.1215/9781478005131-004
EISBN: 978-1-4780-0513-1
...CHAPTER 3 Global Mafalda Circulation, Appropriations, and Resignifications Mafalda is Latin Amer i ca s best- selling and most internationally celebrated comic strip. It has been translated into more than twenty languages, including Danish, Japa nese, Korean, and Chinese. Its characters are easily...
Published: 21 July 2017
DOI: 10.1215/9780822373636-006
EISBN: 978-0-8223-7363-6
... dance would never circulate as widely on its own. As traditional African performance it would circulate minimally as archi- val documentation or as field recordings, whereas Clegg s successful fusions translate ngoma into terms that are legible within the global popular music industry. In rendering its...
Published: 07 February 2020
DOI: 10.1215/9781478004585-004
EISBN: 978-1-4780-0458-5
... describe relations of explicit inter- referentiality between and across media. Among the most commonly cited examples are music that refers to lit er a ture and photography that refers to painting or, perhaps most familiar to us from the con temporary art world, wIld cIrculatIoN 99 painting that refers to...
Published: 08 January 2016
DOI: 10.1215/9780822374947-011
EISBN: 978-0-8223-7494-7
... In this essay, Luker examines the 2009 UNESCO declaration that recognized tango as an “intangible cultural heritage of humanity” in order to develop a critical perspective on the cultural politics of musical heritage making within complexly interlocking networks of musical circulation, cultural...
Published: 08 January 2016
DOI: 10.1215/9780822374947-002
EISBN: 978-0-8223-7494-7
... This essay explores the relation between the worldwide circulation of vernacular phonograph music in the late 1920s and the dialectic of colonization and decolonization. The boom in recorded vernacular musics—from son to jazz, samba to kroncong, marabi to beguine—that took place between the...
Published: 10 April 2020
DOI: 10.1215/9781478012009-003
EISBN: 978-1-4780-1200-9
... Iranian nation. And on top of this, it lifted the spirits. Homayun s recollections position Deyar in Iran as a kind of miracle of survival and circulation no one could believe that this music could be produced in California, or that it had made it all the way around the world into the country...
Published: 30 August 2019
DOI: 10.1215/9781478005315-001
EISBN: 978-1-4780-0531-5
... (1986, 15). When music is in the commodity phase, it is able to circulate across cultural boundaries precisely because it does not require all parties to share in equal measure the value standards pro- moted in the commodity (music) exchange. Two important publications, both tellingly on world music...
Published: 30 August 2019
DOI: 10.1215/9781478005315-007
EISBN: 978-1-4780-0531-5
...EPILOGUE · THE POLITICAL ECONOMY OF MUSIC AND SOUND peRcy c. hintzen Capitalism, from its inception, has, by necessity, always been a global proj- ect, with the Caribbean plantation and the institution of slavery at the cen- ter of its formative impetus (cf. Williams 1994). But there have been fun...
Published: 17 April 2020
DOI: 10.1215/9781478009177-003
EISBN: 978-1-4780-0917-7
...This chapter traces Disney s dramatic entry into the pop music industry in the early 2000s, a move that provided a center of gravity and institutional heft to what was an other wise scat- tered or diffuse trend. This move represented a dramatic de- parture from the previous folk revival, bubblegum...
Published: 04 March 2015
DOI: 10.1215/9780822375807-004
EISBN: 978-0-8223-7580-7
... The beating heart of the Soul! enterprise was the music. Like many black intellectuals of the period, Ellis Haizlip believed that music—both popular and lesser-known—could be a conduit of the new black consciousness. The show highlighted an eclectic array of musicians as a means of exploring...
Published: 27 September 2019
DOI: 10.1215/9781478005513-002
EISBN: 978-1-4780-0551-3
... Feldman, Luciano Berio, John Cage, and Karlheinz Stockhausen. In addition to his musical and administrative labors, Souster wrote criticism for the Financial Times, the Observer, and the Listener, the widely circulated bbc weekly. His publications after 1967 ranged freely across con temporary art music...
Published: 08 January 2016
DOI: 10.1215/9780822374947-006
EISBN: 978-0-8223-7494-7
... Exploring the performer and composer Elsie Houston’s reception in her day and, posthumously, in her birthplace of Brazil and abroad in Europe and the United States, this essay follows the politics projected onto music. The ways people use music to stake political claims can reveal the contours...
Published: 08 January 2016
EISBN: 978-0-8223-7494-7
... This essay explores the audibility of U.S. empire and the sonic landscapes of the extended spaces of the U.S.-Mexico border by focusing on both the pasts and presents of migrant musical practice. In the context of a historical “songbook of migrancy” rooted in corridos, Kun traces the work of...
Published: 08 January 2016
DOI: 10.1215/9780822374947-004
EISBN: 978-0-8223-7494-7
... How are pop musical genres launched into global circulation? How might the movement of vernacularized musical forms help us map the emergent transnational musical circuits of the 1960s? How were these circuits both constructed and circumscribed by linguistic barriers and the geopolitical...
Published: 18 May 2018
DOI: 10.1215/9780822371564-003
EISBN: 978-0-8223-7156-4
Published: 08 January 2016
EISBN: 978-0-8223-7494-7
.... In this essay, Luker examines the 2009 UNESCO declaration that recognized tango as an “intangible cultural heritage of humanity” in order to develop a critical perspective on the cultural politics of musical heritage making within complexly interlocking networks of musical circulation, cultural...