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Published: 05 February 2014
DOI: 10.1215/9780822378839-006
EISBN: 978-0-8223-7883-9
... Epilogue. Tuned In, Turned On, and Dropped Out Rock ’n’ Roll Music Production Restructures the Music Industry along Non-­Union Lines Unlike most of the songs nowadays being written uptown in Tin Pan Alley, that’s where most folk songs come from these days...
Published: 08 May 2013
DOI: 10.1215/9780822391920-002
EISBN: 978-0-8223-9192-0
... Leonardo D’Amico 1. Cumbia Music in Colombia Origins, Transformations, and Evolution of a Coastal Music Genre Costeño Music and Its Sociocultural Context The Caribbean coastal region of Colombia is called the Costa, and its inhabi- tants are...
Published: 08 May 2013
DOI: 10.1215/9780822391920-011
EISBN: 978-0-8223-9192-0
... Matthew J. Van Hoose 10. El “Tú” Tropical, el “Vos” Villero, and Places in Between Language, Ideology, and the Spatialization of Difference in Uruguayan Tropical Music Ay, como la voy a gozar, pronto se les va a acabar, Ay, como van a llorar. La...
Published: 15 November 2004
DOI: 10.1215/9780822386353-010
EISBN: 978-0-8223-8635-3
...CULTURE / sheet 146 of 524 9. When Black Feminism Faces the Music, and the Music Is Rap 7153 Wallace / DARK DESIGNS AND VISUAL Like many black feminists, I look on sexism in rap as...
Published: 09 February 2018
DOI: 10.1215/9780822372653-003
EISBN: 978-0-8223-7265-3
...2 PUTUMAYO AND ITS DISCONTENTS The Andean Music Industry as a World Music Geography If your music isn’t World Music, where in the world are you?  — Barbara Browning, Infectious Rhythm For many musicians around the world, “the popular” has become a dangerous cross- roads, an...
Published: 21 July 2017
DOI: 10.1215/9780822373117-002
EISBN: 978-0-8223-7311-7
... 1 Analyzing the African Origins of Negro ­Music and Dance in a Time of Racism, Fascism, and War The ritual drumsw ­ ere never touched by a w­ oman, even the highest of the mambos. Many liberties ere permitted w­ me ­because of my...
Published: 21 July 2017
DOI: 10.1215/9780822373117-007
EISBN: 978-0-8223-7311-7
... meant the kinds of play (analyzing, listening, embodying, disalienating, and desiring) with the past that this book has mapped and, in the pro­cess, ended up following a range of individuals who in engaging in black ­music’s and dance’s African origins, ­either implicitly or explicit­ ly and no m­...
Published: 10 December 2014
DOI: 10.1215/9780822376088-002
EISBN: 978-0-8223-7608-8
...one Interlopers in the Realm of High Culture “Music Moms” and the Per for mance of Asian Diff erence In 2002, as part of a series of articles about summer camps, the New York Times reported on the Perlman Music Program—a prestigious six-week instructional...
Published: 22 September 2014
EISBN: 978-0-8223-7607-1
Published: 25 November 2013
DOI: 10.1215/9780822377115-011
EISBN: 978-0-8223-7711-5
... 10 Singing Summons the Existence of the Fountain: R thu Levitas Bloch, Music, and Utopia The dearth in Anglophone sources of serious discussion of the utopian...
Book Chapter

By Chuck Eddy
Published: 12 August 2016
EISBN: 978-0-8223-7389-6
Published: 12 August 2016
EISBN: 978-0-8223-7389-6
Published: 14 September 2015
EISBN: 978-0-8223-7553-1
... two exigeneses of creative music m ilford graves Pulseology It’s no ordinary rec room. Descend into percussionist Milford Graves’s base- ment and you enter his secret laboratory—part music practice and perfor- mance space, part computer research facility, part nonallopathic...
Published: 14 September 2015
DOI: 10.1215/9780822375531-015
EISBN: 978-0-8223-7553-1
... f orm follows faction? Ethnicity and Creative Music I. Toward a Minor Music In their innovative study of Franz Kafka, French writers Gilles Deleuze and Félix Guattari approach the relationship between content and expression in the context of what they call “major” and “minor...
Published: 14 September 2015
DOI: 10.1215/9780822375531-027
EISBN: 978-0-8223-7553-1
... l iz phair and lou barlow On Music, Sex, TV, and Beyond Grinning widely, Lou Barlow opens the door to a room on the eighth floor of Chicago’s swanky Meridian Hotel, and the sweet smell of hash incense wafts into the hallway. Inside, a slightly dazed Liz Phair bobs up and down on the...
Published: 14 September 2015
DOI: 10.1215/9780822375531-042
EISBN: 978-0-8223-7553-1
... a very visual kind of music The Cartoon Soundtrack beyond the Screen All great deeds and all great thoughts have a ridiculous beginning. • Albert Camus Some of the broadest implications of cartoon music have nothing at all to do with animated images, but are the result of what happens...
Published: 14 September 2015
DOI: 10.1215/9780822375531-053
EISBN: 978-0-8223-7553-1
... g uillermo gregorio Madi Music I have the distinct impression of walking. While I’m playing, that is. And it’s not some kind of distracted, somnam- bulant shuffling, it’s a dedicated, concentrated pacing, measured out like a possible drunk walking straight for a policeman: one-foot...
Published: 14 September 2015
DOI: 10.1215/9780822375531-054
EISBN: 978-0-8223-7553-1
... e xperimental oriental New Music and Other Others In this essay I will seek to explicate some aspects of the underlying paradigm that frames and makes sensible the use of non- Western elements in Western art music of recent vintage. Specifically, we should wonder: How does Orientalism...
Published: 14 September 2015
DOI: 10.1215/9780822375531-055
EISBN: 978-0-8223-7553-1
... a fterword A Concise History of Music When, at the beginning of summer, thunder—electrical energy—comes rushing forth from the earth again, and the first thunderstorm refreshes nature, a prolonged state of tension is resolved. Joy and relief make themselves felt. So too, music has power...
Published: 01 January 2008
DOI: 10.1215/9780822389224-007
EISBN: 978-0-8223-8922-4
...Tracy McMullen IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC n April 8, 1994, as part of America’s yearlong fiftieth anniversary celebration of D-Day, Thomas Duffy and Othe Yale Concert...