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multimedia

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Published: 01 November 2012
DOI: 10.1215/9780822395652-007
EISBN: 978-0-8223-9565-2
Published: 04 June 2012
DOI: 10.1215/9780822395362-007
EISBN: 978-0-8223-9536-2
Published: 24 March 2014
DOI: 10.1215/9780822376804-011
EISBN: 978-0-8223-7680-4
Book Chapter

By Kobena Mercer
Published: 29 April 2016
EISBN: 978-0-8223-7451-0
... black bodies Britishness Caribbean multimedia masculinities ...
Published: 18 May 2015
DOI: 10.1215/9780822375555-002
EISBN: 978-0-8223-7555-5
..., stereopticon displays, pageants, and songs—established the Institutes’ multimedia rhetorical strategies that conveyed their political and social program, and are important precursors to uplift films. While these materials were primarily targeted toward white philanthropists in the North, they also circulated...
Published: 29 April 2016
DOI: 10.1215/9780822374510-006
EISBN: 978-0-8223-7451-0
... This chapter offers a midcareer review of cut-and-mix collage strategies in black British artist Keith Piper’s multimedia art practice, which spans painting, installation, computer-generated montage, and video. Approached as a “history painter” of post-Empire Britain, in that his art bears...
Published: 17 March 2017
DOI: 10.1215/9780822374169-006
EISBN: 978-0-8223-7416-9
... concern of these artists laid the groundwork for a wide-ranging multimedia practice that impacted the international art world. The book ends with a look at artist Sanford Biggers, who inherited and expanded ideas his West Coast predecessors engaged in earlier decades. ...
Published: 22 July 2016
DOI: 10.1215/9780822374244-002
EISBN: 978-0-8223-7424-4
... This chapter explores the provenance of the novel in our hypervisual and multimedia age. It argues that contemporary novels are now self-consciously intermedial in that they actively work into their formal structures and modes of address phenomenologies of apperception that far exceed the medium...
Published: 29 April 2016
DOI: 10.1215/9780822374510-005
EISBN: 978-0-8223-7451-0
...Differential Proliferations This chapter offers a midcareer review of cut-and-mix collage strategies in black British artist Keith Piper’s multimedia art practice, which spans painting, installation, computer-generated montage, and video. Approached as a “history painter” of post-Empire...
Published: 24 February 2017
DOI: 10.1215/9780822373292-003
EISBN: 978-0-8223-7329-2
... planning, and responded to the postwar governmental push for postindustrialization and the experimental practices of building multimedia environments. This chapter hence examines the intersection of architectural practice with communications theory, discourses around cybernetics and the information society...
Published: 17 March 2017
DOI: 10.1215/9780822374169-005
EISBN: 978-0-8223-7416-9
... of pantyhose and sand channeled feminist concerns. Maren Hassinger relied on industrial materials to elicit a postindustrial message. Houston Conwill created multimedia objects and accompanied them with contemporary rituals, while Nengudi and Hassinger more actively employed video with performance...
Published: 11 March 2016
DOI: 10.1215/9780822374527-005
EISBN: 978-0-8223-7452-7
... Chapter 4 examines the persistent and evolving economism of Asian racialization in the postexclusion era. Turning to Ken Lum’s multimedia works and Karen Tei Yamashita’s novel Tropic of Orange , this chapter tracks their works’ reconceptualizations of labor, migration, urbanism...
Book Chapter

By Jean Ma
Published: 13 May 2015
DOI: 10.1215/9780822375623-002
EISBN: 978-0-8223-7562-3
... Film songs emerged across the transition from silent to sound filmmaking. They were part of a history of multimedia performances combining the attractions of the musical stage with cinematic entertainment. In this context, film songs were associated with the effect of direct address...
Published: 09 February 2015
DOI: 10.1215/9780822375982-003
EISBN: 978-0-8223-7598-2
... the state of lightedness. This chapter offers a history of this visual technology, focusing on Jack Sowah, the first videographer to introduce video light and screens into dance venues, and the photography-based, multimedia art of Ebony G. Patterson. The chapter makes the claim that video light has...
Series: Art History Publication Initiative
Published: 19 May 2017
DOI: 10.1215/9780822372790-004
EISBN: 978-0-8223-7279-0
... This chapter introduces the concept of an undivided earth through Emendatio , James Luna’s multimedia exhibition at the Venice Biennale in 2005. Luna reconstituted the archive of Pablo Tac (1822–41), a Quechnajuisom scholar who wrote the first dictionary and history of his people under...
Published: 24 February 2017
EISBN: 978-0-8223-7329-2
..., the chapter explores how the postwar articulation of the cybernetic model of the information city both inherited the legacy of colonial urban planning, and responded to the postwar governmental push for postindustrialization and the experimental practices of building multimedia environments. This chapter...