... 2046 preexisting soundtracks mood music cinephilia ...

... audiences race relations genre moods, Hair (musical) ...

... Kong’s famed re-export economy: the repackaging of imported goods as if they were its own. 2046 preexisting soundtracks mood music cinephilia ...

... Surveying the use of Bellini’s operas in 2046 and the repurposing of “Yumeji’s Theme” in In the Mood for Love , chapter 3 charts Wong Kar-wai’s progress from “borrower” to “owner.” It’s a passage sanctioned by the carefully curated recordings of the soundtracks, sold as specialty items...

... “Streaming, Cheap Music, and Crises of Social Reproduction” reads the prominence given to mood, activity, and context-based playlists on streaming platforms through the lens of social reproduction theory. Streaming platforms cast such functional music as a tool by which users can perform certain...

... Express and especially In the Mood for Love . In both films, Wong uses music covers to “cover his own tracks.” The web of culture, the chapter and with it the book concludes, is contingent on forgetting as much as remembering. remix MTV Chungking Express covers In the Mood for Love ...

... Simone’s music, what genre she worked in. This chapter considers songs including “To Be Young, Gifted and Black” and “Ain’t Got No/I Got Life.” audiences race relations genre moods, Hair (musical) ...

... In the Mood for Love branding Yumeji “Siboney” ...

... remix MTV Chungking Express covers In the Mood for Love ...

... these pivotal years to openly heal the psychic wounds of a long and bitter war. Mapfumo again emerges as the most popular singer in the country, but now amid a rising mood of escapism. The chapter also describes Mapfumo’s first two tours in Europe, opening a new phase in his career. Gukuruhundi The Fifth...

... to openly heal the psychic wounds of a long and bitter war. Mapfumo again emerges as the most popular singer in the country, but now amid a rising mood of escapism. The chapter also describes Mapfumo’s first two tours in Europe, opening a new phase in his career. Gukuruhundi The Fifth Brigade Thomas...

...1982<subtitle>Dance Culture Seizes the City</subtitle> The live music scene fractured as smaller venues complained that they were being bullied by larger spots such as the Ritz and the Peppermint Lounge. An air of decline hung over the Mudd Club while Club 57 slipped into a somewhat darker...