Search Results for mobile cinemas

... Rwanda film festivals spectatorship agasobanuye mobile cinemas ...

... observation and oral interviews, this chapter explores Rwandan audiences’ engagement with different types of screens and screening environments in the recent past, including the Rwanda Film Festival's Hillywood mobile cinema screenings. Considering festival screenings in conjunction with nonfestival...

... of screens and screening environments in the recent past, including the Rwanda Film Festival's Hillywood mobile cinema screenings. Considering festival screenings in conjunction with nonfestival theatrical screen worlds, including small-scale city cinemas and agasobanuye VJ (veejay, or video jockey...

... Call centers Neoliberalism Impersonation Mobility Hindi cinema ...

.... Queerness in Hong Kong cinema points to modes of disorientation and transnational mobility that deviate from the geopolitics of British colonial legacy and China-centrism. The chapter examines queer nonrelationality to Chineseness in two of independent filmmaker Scud’s films, Permanent Residence (2009...

... in contexts shaped by transnational public cultures and neoliberalism. Call centers Neoliberalism Impersonation Mobility Hindi cinema ...

... This chapter, situated within the broader national discourse and perturbation of the disconnect between creative arts education and artistic practice, examines the praxis of two contemporary Ghanaian filmmakers, Kofi Asamoah and Peter Sedufia, whose appropriation of “small-screen cinema” models...

... A feminist cinema of experience uses visual language to depict the experiences of woman-identified characters, such that viewers are invited to mobilize, examine, and reassess the meanings we had previously assigned to our experiences. This discomforting process invites audiences to feel like...

... arts education and artistic practice, examines the praxis of two contemporary Ghanaian filmmakers, Kofi Asamoah and Peter Sedufia, whose appropriation of “small-screen cinema” models initiated a new trend in digital-online content distribution and consumption. It contends that although these filmmakers...

... certain sections of communities in the Indian diaspora, this film participated in the production of discourses about Nonresident Indians or NRIs as authentic and as predicated on masculinist notions of class and mobility. At the same time, NRI women are represented as embodying the eruptive potentiality...

... ground his theorization of the insidious regime of “heteroperpetuity,” which he defines as encompassing a range of political imperatives, social arrangements, and cultural practices and productions mobilized to protect and perpetuate heteronormative dominion. Highlighting its hegemony over black drag...

..., and her erotic attachments to her three husbands conjure the symbolism of Hong Kong mediated by the forces of British colonialism, Chinese nationalism, and global capitalism. The film ultimately undoes this masculine narrative by emphasizing Ah Mui’s constant mobility across the human and nonhuman divide...

.... Though this resembles past partnerings of feminists and conservatives who allied against pornography and for victims of violent crime, this new coalition’s mobilization of feminist, antiracist, and even intersectional arguments against the notion of trans experience and identity heralds the advent...