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ming

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Published: 10 November 2017
DOI: 10.1215/9780822372547-010
EISBN: 978-0-8223-7254-7
Published: 12 October 2018
DOI: 10.1215/9781478002512-004
EISBN: 978-1-4780-0251-2
Published: 23 April 2012
DOI: 10.1215/9780822395119-003
EISBN: 978-0-8223-9511-9
Series: e-Duke books scholarly collection.
Published: 26 December 2008
DOI: 10.1215/9780822389330-011
EISBN: 978-0-8223-8933-0
Published: 08 May 2003
DOI: 10.1215/9780822384397-018
EISBN: 978-0-8223-8439-7
Series: Politics, History, and Culture
Published: 11 January 2005
DOI: 10.1215/9780822385882-016
EISBN: 978-0-8223-8588-2
Published: 03 March 2017
DOI: 10.1215/9780822373148-015
EISBN: 978-0-8223-7314-8
Published: 12 January 2024
DOI: 10.1215/9781478059097-001
EISBN: 978-1-4780-5909-7
... Using an analysis of Ming Smith's photograph Flamingo Fandago (West Berlin) (painted) (1988), this chapter introduces the analytics of shadows and noise by using sensation as a methodology based on situatedness. The chapter explains the politics of thinking between categories of representation...
Published: 02 October 2015
DOI: 10.1215/9780822375159-006
EISBN: 978-0-8223-7515-9
... are discussed that remake, reuse, or restage “old,” analog media in new works that rely in part on digital technology: Eric Baudelaire’s The Makes (2009), Ming Wong’s Persona Performa (2011), Erin Shirreff's Roden Crater (2009), and Matmos’s For Alan Turing (2006). These artists exercise the power...