... Máximo Colón photography Borough of Manhattan Community College leftism ...

... American art collage queer atomic energy Manhattan Project ...

... Tristan works at the Gay Games and moves in with Riley in Manhattan. Gay Games LGBTQ New York City butch/femme queer history ...

.... His rich body of work is marked by its intimate subjective perspectives and its elegant, distilled expression. In 2004, Mitre published his volume of poems The Manhattan Umbrella, a tribute to the spaces and people of New York City. As the Spanish writer Antonio Muñoz Molina put it, the book captures...

... of catastrophe and madness made in the postwar era of the atomic age. Trained as a radiochemist, Jess was drafted into the US Army Corps of Engineers in 1943 and served on the Manhattan Project monitoring plutonium production. He moved to San Francisco in 1949, where he pursued an art career and eventually shed...

... by Jess titled The 5th Never of Old Lear , an allegory of catastrophe and madness made in the postwar era of the atomic age. Trained as a radiochemist, Jess was drafted into the US Army Corps of Engineers in 1943 and served on the Manhattan Project monitoring plutonium production. He moved to San...

... of work is marked by its intimate subjective perspectives and its elegant, distilled expression. In 2004, Mitre published his volume of poems The Manhattan Umbrella, a tribute to the spaces and people of New York City. As the Spanish writer Antonio Muñoz Molina put it, the book captures “that strange...

... that photography itself is a political act. Colón’s legacy lies in his dedication to documenting his community’s journey and advocating for justice through the lens. Máximo Colón photography Borough of Manhattan Community College leftism This chapter delves into the artivist interventions of Puerto...

... This chapter moves from public eating to home cooking as a strand intertwined with screen practices. From Hitchcock’s inaugural visit to the United States, it follows the trajectory of the reception as he negotiated contract options parallel to stuffing himself in Manhattan while spinning...

... community (FGC) as it was nurtured by the physical space of Manhattan’s Chinatown Fair Arcade and, after its shuttering, the Next Level arcade in Sunset Park, Brooklyn, as well as the NYC-based Twitch channel “Team Spooky.” The chapter ultimately argues that a specific brand of the Blerd as an identity...

... for justice through the lens. Máximo Colón photography Borough of Manhattan Community College leftism ...

... The opening months of 1981 witnessed an intensification of the conversation that had begun to take place between downtown artists, new wave musicians, and graffiti writers. Diego Cortez curated the New York/New Wave exhibition at PS1. Keith Haring curated the Lower Manhattan Drawing Show...

... This chapter delves into the artivist interventions of Puerto Rican artists Adál Maldonado and Sandra María Esteves at the New Rican Village (NRV) cultural arts and education center on Manhattan’s Lower East Side. Focused on challenging social alienation and mainstream art institutions...

... Real estate threatens artists in downtown Manhattan. Fielding Dawson dies. Bush and madmen blundering everywhere. Hettie is denied entry into Bedford Hills Prison, escorted by security out to parking lot, letter comes: “Your ID will be destroyed . . .” Paranoia everywhere, even Gloucester...

... This chapter explores the origins and significance of SAMO© (1978–80), a poetic satire critiquing the corporatization of arts and life. Created by Jean-Michel Basquiat and Al Díaz, both of Puerto Rican descent, SAMO© emerged as graffiti messages on Manhattan walls, cryptically challenging...