... Korea-China relations intercultural production making-of documentary amity ...

... This chapter examines the “making of” documentary (MOD) supplement included in the DVD release of Musa , the joint Korea-China martial arts film, and the possibilities of amity implicit in the film’s intercultural mode of production. Group travel and intercultural cooperation characterize both...

...Amity This chapter examines the “making of” documentary (MOD) supplement included in the DVD release of Musa , the joint Korea-China martial arts film, and the possibilities of amity implicit in the film’s intercultural mode of production. Group travel and intercultural cooperation...

... This chapter begins with an exploration of Deleuze’s concept of the powers of the false, which has inspired a group of contemporary works of art that fuse fact and imagination, documentary and fiction, and analog and digital media. This power is better understood as “virtual,” having less to do...

... This conclusion reflects on the motivations of those who make and view documentary death and on the broad cultural and political work these maligned moving images attempt. Dying in Full Detail ends with an acknowledgment that even the recorded reminders of human mortality written about here...

... Chapter 2 continues the opposition between the visible “moment of death” and the nebulous process of dying by examining long-term chronicles of natural dying. This documentary practice gained traction through the rise of analog video and then digital video. With newly affordable and user...

... This introduction describes the book’s project, telling a story about the people and activities that make up the life of a highly public national war memorial as it evolved throughout its postwar career. The story of the USS Arizona Memorial as it unfolded from the early 1990s to the present...

... of indirect victims whose relatives had been killed at S-21, the civil party lawyers made it clear that they thought that Duch, even though he had spoken quite frequently, was not telling the full truth, only what there was already documentary evidence proving. civil party participation victim...

... Before Duch’s lawyers presented their closing arguments, he delivered his own argument about his innocence, presented as a documentary “proof,” perhaps in keeping with his background as a mathematician. His lawyers then picked up on their argument that he had been a cog in the machine...

... and their audiences, one that cannot be fully realized because cameras cannot make visible a definitive “moment” within an opaque, durational process of dying. The relative paucity of success in capturing death on celluloid also highlights film’s specific technological limitations in that task. moment of death...

... alongside other people of color, the essay builds a case for ethnic studies scholars to interrogate both the neoliberal institutional frameworks and the necropolitical logics of the modern-day public university. With Asians as vital players in the death-making machinery of the globalizing system, the notion...

... figure among the group of pro-Western Indonesian writers and intellectuals with whom Wright associated in 1955, may help explain why there is no documentary record of any personal encounter between Wright and Pramoedya during Wright’s visit. The absence of a meeting between the two men is otherwise...

... and litigation strategies need to be linked to grassroots mobilization within the Roma community itself to correct current flaws in its access to the benefits of citizenship. In chapter 3, Benjamin N. Lawrance explores the role of expertise in refugee and immigration decision-making by focusing...

...); Joseph Allan Frank and George A. Reaves, “ Seeing the Elephant ” : Raw Recruits at the Battle of Shiloh (Westport, CT: Greenwood Press, 1989); and James M. McPherson, Battle Cry of Freedom: The Civil War Era (New York: Oxford University Press, 1988), 392–414, one of many discussions that make...

...); Joseph Allan Frank and George A. Reaves, “ Seeing the Elephant ” : Raw Recruits at the Battle of Shiloh (Westport, CT: Greenwood Press, 1989); and James M. McPherson, Battle Cry of Freedom: The Civil War Era (New York: Oxford University Press, 1988), 392–414, one of many discussions that make...

...); Joseph Allan Frank and George A. Reaves, “ Seeing the Elephant ” : Raw Recruits at the Battle of Shiloh (Westport, CT: Greenwood Press, 1989); and James M. McPherson, Battle Cry of Freedom: The Civil War Era (New York: Oxford University Press, 1988), 392–414, one of many discussions that make...

...); Joseph Allan Frank and George A. Reaves, “ Seeing the Elephant ” : Raw Recruits at the Battle of Shiloh (Westport, CT: Greenwood Press, 1989); and James M. McPherson, Battle Cry of Freedom: The Civil War Era (New York: Oxford University Press, 1988), 392–414, one of many discussions that make...

...); Joseph Allan Frank and George A. Reaves, “ Seeing the Elephant ” : Raw Recruits at the Battle of Shiloh (Westport, CT: Greenwood Press, 1989); and James M. McPherson, Battle Cry of Freedom: The Civil War Era (New York: Oxford University Press, 1988), 392–414, one of many discussions that make...

...); Joseph Allan Frank and George A. Reaves, “ Seeing the Elephant ” : Raw Recruits at the Battle of Shiloh (Westport, CT: Greenwood Press, 1989); and James M. McPherson, Battle Cry of Freedom: The Civil War Era (New York: Oxford University Press, 1988), 392–414, one of many discussions that make...