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Published: 06 March 2006
DOI: 10.1215/9780822387756-004
EISBN: 978-0-8223-8775-6
Published: 06 September 2013
DOI: 10.1215/9780822395645-003
EISBN: 978-0-8223-9564-5
Book Chapter

By Ann Burlein
Published: 05 February 2002
DOI: 10.1215/9780822383406-003
EISBN: 978-0-8223-8340-6
Published: 01 January 1999
DOI: 10.1215/9780822381280-006
EISBN: 978-0-8223-8128-0
Published: 24 March 2014
EISBN: 978-0-8223-7680-4
Published: 01 January 1994
DOI: 10.1215/9780822399278-004
EISBN: 978-0-8223-9927-8
Published: 11 December 2006
DOI: 10.1215/9780822388203-007
EISBN: 978-0-8223-8820-3
Published: 08 September 2017
DOI: 10.1215/9780822372585-003
EISBN: 978-0-8223-7258-5
Published: 20 March 2020
DOI: 10.1215/9781478007302-027
EISBN: 978-1-4780-0730-2
...JEROME HAGEN - - - - - - - - - - - - - - - - - - == Are Queer Games Bringing Diversity to the Mainstream Industry? Are queer indie video games inspiring change in the mainstream video game industry? Are developers who work inside large companies influ- enced by the games emerging from the queer...
Published: 05 February 2002
DOI: 10.1215/9780822383406-008
EISBN: 978-0-8223-8340-6
Published: 06 September 2013
DOI: 10.1215/9780822395645-004
EISBN: 978-0-8223-9564-5
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337
EISBN: 978-1-4780-1233-7
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337-006
EISBN: 978-1-4780-1233-7
... with the emergence of cultural pluralism. 5 Film Theory, Avant- Gardism, and the Rise of Masculine Aesthetics Chinese Mainstream Cinema in the 1980s Film Theory, Avant-Gardism, and Masculine Aesthetics 133 In early New Era film production, several generations of filmmakers from vastly diff er ent historical...
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337-007
EISBN: 978-1-4780-1233-7
... on history and diverse imaginations for the future. Critical attention should be paid particularly to those ideas and aspirations that became derailed, compro- mised, or marginalized in China s pro cess of developing a market economy and a mainstream discourse of universal modernity. 6 Alternative...
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337-002
EISBN: 978-1-4780-1233-7
... cinema as a marginalized practice, disruptive or subversive of mainstream patriarchal culture. These paradigms have prolonged Cold War ideology both directly and indirectly, prohibiting a productive assessment of the legacy of social- ist culture and the women s movement, especially in today s research...
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337-003
EISBN: 978-1-4780-1233-7
..., Wang Shaoyan, and Yan Bili emerged for the first time in modern Chinese history. These women had neither training nor expe- rience in filmmaking prior to the founding of the People s Republic of China 2 Articulating Embedded Feminist Agency in Socialist Mainstream Cinema Wang Ping and The Story...
Book Chapter

By Lingzhen Wang
Series: a Camera Obscura Book
Published: 01 January 2021
EISBN: 978-1-4780-1233-7
Book Chapter

By Lingzhen Wang
Series: a Camera Obscura Book
Published: 01 January 2021
EISBN: 978-1-4780-1233-7
... history in China from the 1920s to the 1960s; re- traces mainstream feminist cultural practice from Mao s socialist period to the post- Mao promarket era (1950s 1980s); reengages with Western femi- nist theories from the 1970s forward along with a set of influential English- language scholarship...
Book Chapter

By Lingzhen Wang
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337-001
EISBN: 978-1-4780-1233-7
...From the advent of the Maoist era in 1949 to the end of the first de cade of the post- Mao economic reform around 1987, Chinese female film directors played a key role in producing popu lar and mainstream feminist visual culture. Work- ing within the general socialist environment, where gender...
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337-004
EISBN: 978-1-4780-1233-7
.... They became particularly critical of socialist women s cinema, charging socialist female directors with blind conformism to state policy and male standards and maligning their films as mainstream practice and po liti cal propaganda.3 The Western Cold War ideology that pits socialist po liti cal culture...