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... The introduction argues that one of the most significant and enduring changes in jazz during the 1950s was the practice of record making. To support this assertion, this introduction takes several approaches. It outlines the genesis of the long-playing (LP) format and discusses record production...

... from the preceding chapters: (1) records make meaning through circulation, (2) record making is a practice of cultural negotiation, and (3) records remain unusable in their meaning. 1959 long-playing record (LP) audio production ...

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... Chapter 2 investigates the jazz industry’s transition to the LP format through the activities of Prestige Records, Bob Weinstock (the label’s owner), and the musicians that this independent label employed. This chapter attends to the commercial infrastructures of the jazz record business through...

... Chapter 1 focuses on various renditions of “The Huckle-Buck,” the top-selling R&B hit of 1949. The song’s movement through the record industry occurred in tandem with the proliferation of the LP as a medium for popular music. Between 1950 and 1955, jazz became the only music played by Black...