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Published: 11 October 2007
DOI: 10.1215/9780822390558
EISBN: 978-0-8223-9055-8
Published: 06 December 2019
DOI: 10.1215/9781478007418
EISBN: 978-1-4780-0741-8
Published: 09 November 2018
DOI: 10.1215/9781478002079-017
EISBN: 978-1-4780-0207-9
Published: 02 May 2013
DOI: 10.1215/9780822378846-002
EISBN: 978-0-8223-7884-6
Published: 04 March 2016
DOI: 10.1215/9780822374497-003
EISBN: 978-0-8223-7449-7
... This chapter explores listening practices in a soundwalk through consideration of Luce Irigaray’s ideas about intimate and ethical listening. The conceptualization of love as involving listening that is not yet coded but instead is open to the unknown is discussed as a valuable theoretical model...
Published: 04 March 2016
DOI: 10.1215/9780822374497-005
EISBN: 978-0-8223-7449-7
... This chapter explores the experience of improvisation as a process of listening that is first accessed by the nonverbal body and later understood by the verbal brain. A comparison is drawn between the time delay between evoked potentials and cognition (Libet) and the time delay between the...
Published: 05 June 2012
DOI: 10.1215/9780822393917-025
EISBN: 978-0-8223-9391-7
Published: 01 April 2015
DOI: 10.1215/9780822375494-010
EISBN: 978-0-8223-7549-4
... This entry sets out to give a definition of “listening” and explores some of the manifold senses in which the term is used. It goes on to demonstrate the complexity of listening as a sensory activity and outlines key approaches to listening within sound studies, examining some of the...
Published: 23 March 2006
EISBN: 978-0-8223-8767-1
Published: 23 March 2006
EISBN: 978-0-8223-8768-8
Published: 16 September 2009
DOI: 10.1215/9780822388661-007
EISBN: 978-0-8223-8866-1
Published: 01 January 2016
DOI: 10.1215/9780822374824-002
EISBN: 978-0-8223-7482-4
... ways in which sound occupies space, and the shaping of sounds for and by the listener through language and subjectivity, which complicates any attempt to grasp sounds as objective givens. It also returns to R. Murray Schafer’s seminal notions of “soundscapes,” “keynotes,” and “soundmarks,” to consider...
Published: 01 January 2016
EISBN: 978-0-8223-7482-4
... This chapter considers two of the key concepts of the seminal sound theorist Pierre Schaeffer: reduced listening and the sound object. The former indicates an effort to listen without attending to the context or causes of what is heard. Its correlate is the sound object: sound conceived as a...
Published: 17 March 2017
DOI: 10.1215/9780822373582
EISBN: 978-0-8223-7358-2
Published: 20 February 2003
DOI: 10.1215/9780822384250-003
EISBN: 978-0-8223-8425-0
... this may just have been a standard advertising line.1 Either way, the ad ac- tually bothers to tell readers why they need a headset: You need a headset: to tune in with; to get distant stations both domestic and foreign; to listen-in without disturbing others; to shut out the noise in the room and...
Published: 01 January 2019
DOI: 10.1215/9781478002536-012
EISBN: 978-1-4780-0253-6
Published: 14 September 2015
EISBN: 978-0-8223-7553-1
Published: 17 March 2014
DOI: 10.1215/9780822376750-002
EISBN: 978-0-8223-7675-0
Published: 17 September 2014
DOI: 10.1215/9780822376163-004
EISBN: 978-0-8223-7616-3
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... This chapter explores listening practices in a soundwalk through consideration of Luce Irigaray’s ideas about intimate and ethical listening. The conceptualization of love as involving listening that is not yet coded but instead is open to the unknown is discussed as a valuable theoretical...