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Published: 05 June 2012
DOI: 10.1215/9780822393917-025
EISBN: 978-0-8223-9391-7
Published: 11 October 2007
DOI: 10.1215/9780822390558
EISBN: 978-0-8223-9055-8
Published: 02 May 2013
DOI: 10.1215/9780822378846-002
EISBN: 978-0-8223-7884-6
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-003
EISBN: 978-0-8223-7449-7
... This chapter explores listening practices in a soundwalk through consideration of Luce Irigaray’s ideas about intimate and ethical listening. The conceptualization of love as involving listening that is not yet coded but instead is open to the unknown is discussed as a valuable theoretical model...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-005
EISBN: 978-0-8223-7449-7
... This chapter explores the experience of improvisation as a process of listening that is first accessed by the nonverbal body and later understood by the verbal brain. A comparison is drawn between the time delay between evoked potentials and cognition (Libet) and the time delay between...
Published: 09 November 2018
DOI: 10.1215/9781478002079-017
EISBN: 978-1-4780-0207-9
Published: 06 December 2019
DOI: 10.1215/9781478007418
EISBN: 978-1-4780-0741-8
Published: 12 May 2023
DOI: 10.1215/9781478023395-003
EISBN: 978-1-4780-9358-9
Published: 01 April 2015
DOI: 10.1215/9780822375494-010
EISBN: 978-0-8223-7549-4
... This entry sets out to give a definition of “listening” and explores some of the manifold senses in which the term is used. It goes on to demonstrate the complexity of listening as a sensory activity and outlines key approaches to listening within sound studies, examining some...
Published: 05 June 2012
DOI: 10.1215/9780822393917-005
EISBN: 978-0-8223-9391-7
Published: 17 March 2017
DOI: 10.1215/9780822373582
EISBN: 978-0-8223-7358-2
Series: e-Duke books scholarly collection.
Published: 16 September 2009
DOI: 10.1215/9780822388661-007
EISBN: 978-0-8223-8866-1
Published: 23 March 2006
EISBN: 978-0-8223-8767-1
Published: 23 March 2006
EISBN: 978-0-8223-8768-8
Published: 20 February 2003
DOI: 10.1215/9780822384250-003
EISBN: 978-0-8223-8425-0
Series: Refiguring American Music
Published: 17 March 2014
DOI: 10.1215/9780822376750-002
EISBN: 978-0-8223-7675-0
Published: 16 September 2022
DOI: 10.1215/9781478023159-001
EISBN: 978-1-4780-9269-8
Published: 01 January 2016
DOI: 10.1215/9780822374824-002
EISBN: 978-0-8223-7482-4
..., the ways in which sound occupies space, and the shaping of sounds for and by the listener through language and subjectivity, which complicates any attempt to grasp sounds as objective givens. It also returns to R. Murray Schafer’s seminal notions of “soundscapes,” “keynotes,” and “soundmarks,” to consider...
Published: 01 January 2016
EISBN: 978-0-8223-7482-4
...Listening, Expressing This chapter considers two of the key concepts of the seminal sound theorist Pierre Schaeffer: reduced listening and the sound object. The former indicates an effort to listen without attending to the context or causes of what is heard. Its correlate is the sound object...
Published: 01 January 2019
DOI: 10.1215/9781478002536-012
EISBN: 978-1-4780-0253-6