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landscape painting

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Book Chapter

By Bill Anthes
Published: 04 September 2015
EISBN: 978-0-8223-7499-2
... land and environment landscape painting public art Cheyenne-Arapaho history sovereignty ...
Book Chapter

By Bill Anthes
Published: 04 September 2015
DOI: 10.1215/9780822374992-002
EISBN: 978-0-8223-7499-2
... This thematic chapter examines several of Heap of Birds’s ongoing series, including the abstract Neuf paintings and his conceptual public art interventions, such as the artist’s well-known Native Hosts projects. These works are discussed in light of the tradition of landscape representations...
Published: 18 April 2017
DOI: 10.1215/9780822373629-008
EISBN: 978-0-8223-7362-9
... By the mid-nineteenth century, landscape had become one of the most popular genres in French painting, from the most official forms to the more innovative versions of the Barbizon school and Impressionism. Although many photographers directed their cameras at “nature,” few of the results...
Series: Objects/Histories
Published: 05 February 2016
EISBN: 978-0-8223-7460-2
... and communilect biliterary and biliteracy Tangentyere Artists In the development of remote avant-garde aesthetics, June Walkutjukurr Richards was a pioneer. Chapter 3 follows the development of her bilingual and biliterary aesthetics. Her early command of the painting of Ngaanyatjarra place-making history...
Series: Objects/Histories
Published: 15 November 2002
DOI: 10.1215/9780822383857-005
EISBN: 978-0-8223-8385-7
Published: 12 May 2017
EISBN: 978-0-8223-7320-9
... of the geographic configuration of archipelagoes. This logic would emphasize discontinuous connections rather than physical proximity, fluid movements across porous margins rather than delimited borders, and complex spatial networks rather than the oblique horizons of landscapes—in sum, moving islands rather than...
Series: The Latin America Readers
Published: 06 July 2018
DOI: 10.1215/9780822371618-037
EISBN: 978-0-8223-7161-8
... Enlightenment authors like Benjamin Constant, Jeremy Bentham, Gaetano Filangieri, Montesquieu, and Jean-Baptiste Say. The Villager questioned whether Bolivia was really independent and free, painting a portrait of “misery” five years after independence: the mining industry was in ruins and the manufacturing...