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kwesi

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Series: The World Readers
Published: 29 January 2016
DOI: 10.1215/9780822374961-003
EISBN: 978-0-8223-7496-1
Series: The World Readers
Published: 29 January 2016
DOI: 10.1215/9780822374961-015
EISBN: 978-0-8223-7496-1
Series: The World Readers
Published: 29 January 2016
DOI: 10.1215/9780822374961-069
EISBN: 978-0-8223-7496-1
Series: The World Readers
Published: 29 January 2016
DOI: 10.1215/9780822374961-077
EISBN: 978-0-8223-7496-1
Series: The World Readers
Published: 29 January 2016
DOI: 10.1215/9780822374961-085
EISBN: 978-0-8223-7496-1
Series: The World Readers
Published: 29 January 2016
DOI: 10.1215/9780822374961-093
EISBN: 978-0-8223-7496-1
Series: The World Readers
Published: 29 January 2016
DOI: 10.1215/9780822374961-095
EISBN: 978-0-8223-7496-1
Series: Refiguring American Music
Published: 08 January 2016
EISBN: 978-0-8223-7494-7
... Linton Kwesi Johnson dub poetry mixtape proxy wars anti-apartheid movement ...
Series: Refiguring American Music
Published: 08 January 2016
DOI: 10.1215/9780822374947-009
EISBN: 978-0-8223-7494-7
... This essay considers Linton Kwesi Johnson’s 1980s and early 1990s dub poetry as the baseline for reading the last decade of the U.S.-Soviet conflict and its aftermath. Taking LKJ’s 1984  Making History album as a point of departure for a consideration of antiracist social formations that arose...
Series: Refiguring American Music
Published: 08 January 2016
EISBN: 978-0-8223-7494-7
...Cultural Policies and Politics in the Sound Market This essay considers Linton Kwesi Johnson’s 1980s and early 1990s dub poetry as the baseline for reading the last decade of the U.S.-Soviet conflict and its aftermath. Taking LKJ’s 1984  Making History album as a point of departure...