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Published: 12 August 2016
EISBN: 978-0-8223-7389-6
Series: Improvisation, Community, and Social Practice
Published: 03 March 2017
EISBN: 978-0-8223-7401-5
... creativity poetry Kenny Goldsmith archive improvisation ...
Published: 01 January 1992
DOI: 10.1215/9780822381716-020
EISBN: 978-0-8223-8171-6
Book Chapter

By Tim Lawrence
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... Club 57 Ann Magnuson Keith Haring Kenny Scharf Anita Sarko performance art ...
Published: 09 September 2016
DOI: 10.1215/9780822373926-003
EISBN: 978-0-8223-7392-6
..., alternative art shows, and special parties that attracted a crowd of students from the School of Visual Art, among them Keith Haring and Kenny Scharf. The venue’s culture drew heavily on irony and kitsch. As with the Mudd Club, dancing took on a primary position, even though the venue’s roots were in punk...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
..., among them Keith Haring and Kenny Scharf. The venue’s culture drew heavily on irony and kitsch. As with the Mudd Club, dancing took on a primary position, even though the venue’s roots were in punk. Steve Mass couldn’t straightforwardly ignore developments at Club 57. Beginning in the summer of 1980 he...
Series: Improvisation, Community, and Social Practice
Published: 03 March 2017
DOI: 10.1215/9780822374015-008
EISBN: 978-0-8223-7401-5
... creativity for itself, art has made a corresponding movement into the deliberately boring and the uncreative. Novelty and creativity no longer signify in the manner that Manovich suggests. creativity poetry Kenny Goldsmith archive improvisation ...
Series: Improvisation, Community, and Social Practice
Published: 03 March 2017
EISBN: 978-0-8223-7401-5
... manipulations. The author argues that since the 1950s, when business culture began to claim creativity for itself, art has made a corresponding movement into the deliberately boring and the uncreative. Novelty and creativity no longer signify in the manner that Manovich suggests. creativity poetry Kenny...