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Published: 26 January 2015
EISBN: 978-0-8223-7601-9
Published: 01 January 2013
DOI: 10.1215/9780822377566-009
EISBN: 978-0-8223-7756-6
...6  LLYKE JEONG The Quasi Patriarch Kim Sŭng-­ho and South Korean Postwar Movies Cinematic representation [is] a kind of mapping social vision into subjectivity. In other words, cinema’s binding of fantasy to significant images affects the spectator as a subjective production, and so...
Published: 26 January 2015
DOI: 10.1215/9780822376019-004
EISBN: 978-0-8223-7601-9
... This chapter challenges assumptions about the geopolitics of postfeminist culture, arguing that women directors are changing national cinema cultures and accessing international circuits by tapping into generic formulae of the “chick flick.” Jeong Jae-eun’s Take Care of My Cat (2001), part of an...
Published: 01 January 2013
EISBN: 978-0-8223-7756-6
... at large in the United States and South Korea took place in June 2010 at the University of California, Irvine, and we give our thanks for the suggestions and feedback from Nancy Abelmann, Kyeong-­Hee Choi, Ted Hughes, Kelly Jeong, Chang-­Nam Kim, Suk-­young Kim, Youna Kim, Boduerae Kwon...
Published: 01 January 2013
EISBN: 978-0-8223-7756-6
.../faculty fellow in the Department of East Asian Studies at New York University. Her recent research takes an ethnographic approach to discourses and practices of advertising in contemporary South Korea. Kelly Jeong is associate professor of Korean studies and comparative literature at the...
Published: 16 October 2020
EISBN: 978-1-4780-1239-9
... insightful thoughts on translation and encouraged me to allow humor into my writing. Kayla Donato and Sharon Jeong provided respite from the academic world during that year, and they, along with Mary Tharin and Stacie Walsh, have been steadfast companions throughout. A postdoctoral fellowship with the...
Published: 01 January 2013
DOI: 10.1215/9780822377566-007
EISBN: 978-0-8223-7756-6
... postwar destruction and destitution or representing that historical period, he reads them as attempts to imagine “a qualitatively different reality from the one promised by American liberalism and its South Korean adher- ents” through escapism and fantasy. Kelly Jeong looks at the star system...
Published: 01 January 2013
DOI: 10.1215/9780822377566-001
EISBN: 978-0-8223-7756-6
... culture. However, a closer inspection of the flow of popular music, film, and even clothing at the time belies what Steven Chung calls “the discourse of Ameri- canization in 1950s South Korea.” What is most striking about his essay 6  Kyung Hyun Kim and Kelly Jeong’s essay on screen star Kim...
Published: 01 January 2013
DOI: 10.1215/9780822377566-024
EISBN: 978-0-8223-7756-6
.../wish-­upon-­a-­star-­episode-­8/. javabeans and girlfriday. “faq Frequently Asked Questions.” Dramabeans.com. ­Accessed August 20, 2011. httpwww.dramabeans.com/faq/. Jeong, Deok-­hyeon. “Swept Up by Girl Groups.” Korea 6, no. 3 (2010): 44–48. Jeong, Kelly Y. Crisis of Gender and the Nation in...
Published: 01 January 2019
DOI: 10.1215/9781478003410-018
EISBN: 978-1-4780-0341-0
... (2013 2016), 21 22, 86 92, 98 106 Isle, The (2000), 46, 61n8 Ivins- Hulley, Laura, 171 172 Japan, 268 289 Jenner, Caitlyn, 88 Jentsch, Ernst, 167 Jeong Heung- sun, 48 Jeon Ji- Hyun, also known as Gianna Jun, 43 44, 54, 60n4 Jimmy Car ter Builds a House (2006), 297 Jinhee Choi, 48, 61n11, 62n16 Jo Geun...
Published: 01 January 2019
DOI: 10.1215/9781478003410-004
EISBN: 978-1-4780-0341-0
... level. These tensions are evident in popu lar comedy film from the early 2000s. Jinhee Choi places the subgenre of gangster comedy, with notable works including No. 3 (dir. Song Seung- han, 1997), My Wife Is a Gangster (dir. Jo Jin- kyu, 2001), and the Marrying the Mafia series (dir. Jeong Heung- sun...
Published: 19 March 2021
DOI: 10.1215/9781478013167-022
EISBN: 978-1-4780-1316-7
... Orientalism: Jews and, 304, 308n2 Painter, Neil Irvin, 20 Pak Jeong- yang, 152 Palestine: occupation of, 55; sovereignty of, 55 56 Palestinians: erasure of, 300, 306; surveil- lance of, 298 Palmer, Jennifer, 272 73 Pan Eun- sik, 161 62 patriarchy: heteropatriarchy, 64, 66, 76, 80, 175, 206; personhood and, 29...
Published: 01 January 2013
DOI: 10.1215/9780822377566-011
EISBN: 978-0-8223-7756-6
... early 1990s (subsequently designated the New Korean Cinema) to the millennial films of the South Korean Film Renaissance, included Yim Soon-­Rye (Waikiki Brothers), Jeong Jae-­eun (Please Take Care of My Cat), Park Kwangsu (Chilsu and Mansu, A Single Spark), and Park Chan-wo­ ok (jsa, Old Boy...
Published: 19 March 2021
DOI: 10.1215/9781478013167-010
EISBN: 978-1-4780-1316-7
..., Pak Jeong- yang, a Gaehwapa leader and Korea s ambas- sador to the United States in the late 1880s, mentioned Black people and American Indians only peripherally, once or twice, in his travel reports (N. Pak 2001, 279). With time, however, the Hanseongsunbo articles proved to be a harbinger...
Published: 19 March 2021
EISBN: 978-1-4780-1316-7
Published: 01 January 2013
DOI: 10.1215/9780822377566-019
EISBN: 978-0-8223-7756-6
Published: 01 January 2013
DOI: 10.1215/9780822377566-023
EISBN: 978-0-8223-7756-6
Published: 01 January 2013
DOI: 10.1215/9780822377566-025
EISBN: 978-0-8223-7756-6
..., 385, 390 and Fisheries, 370 Illip Tonic, 223 Jeong, Kelly, 7 immigration, 237; by Koreans, 197; myth of, jodk, 224n10; 1936 Olympics on, 208, 212, 239; of young, 305 217, 219. See also Kyongsong Broadcasting...
Book Chapter

By Delinda Collier
Published: 18 September 2020
DOI: 10.1215/9781478012313-010
EISBN: 978-1-4780-1231-3
... Auteur: The Politics of Authorship in 21st Century Cinema, edited by Seung- hoon Jeong and Jeremi Szaniawski, 43 60. London: Bloomsbury, 2016. Galloway, Alexander R. Anti- Computer. Alexander R. Galloway (blog), March 19, 2018. http cultureandcommunication . org / galloway / anti - computer...
Published: 01 January 2019
DOI: 10.1215/9781478003410-003
EISBN: 978-1-4780-0341-0
... a Gangster (dir. Jo Jin- kyu, 2001), and the Marrying the Mafia series (dir. Jeong Heung- sun, 2002 6), within the late 1990s and early 2000s boom in gangster films, which Choi at- tributes to their successful niche marketing by new production companies of the period.14 Choi and Jinsoo An also...