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Book Chapter

By Frank B. Wilderson III
Published: 01 January 2008
DOI: 10.1215/9780822374985-003
EISBN: 978-0-8223-7498-5
... argument. "I'd like to hear his views on Frantz Fanon," the young man said. "Sure, Jabu," Richard said, "why not. Go ahead, m'china," he said to me, "speak." Having taught Fanon's Blackskin, WhiteMasks, as well as The Wretched of the Earth, I was in my element and all too happy to hold...
Book Chapter

By Frank B. Wilderson III
Published: 01 January 2008
DOI: 10.1215/9780822374985-012
EISBN: 978-0-8223-7498-5
... how Trevor, Jabu, Precious, and Stimela fled on that high- way, how Trevor and Jabu and Stimela had been hit, how Stimela bled and Precious pressed his wound and how Jabu told Trevor to slow down. I drifted from the window to the computer. I tried to write a scenario. We'll need a scenario...
Published: 21 July 2017
DOI: 10.1215/9780822373636-008
EISBN: 978-0-8223-7363-6
... sociality over the professional task at hand, at the expense of recording effi- ciency. When Jabu the bass player arrives, he doesn’t have a plectrum.10 “Ah! I forgot he played with his fingers, like for jazz,” laments Nothi, who has pro- posed Jabu for the job. They send him off to purchase a plectrum...
Book Chapter

By Frank B. Wilderson III
Published: 01 January 2008
DOI: 10.1215/9780822374985-008
EISBN: 978-0-8223-7498-5
... was alreatij there. He was in hati humor, which was rlormal. Frorn what I understood, he secrned to only be in good hurrior cv trcn 1 wasn't around. Some time ago Trevor and Jabu had asked nit. to accornpanj thern to all irlterrogatior~of an iri- fbrmant from the I-ion~elaniiof Rophuthatswa...
Book Chapter

By Frank B. Wilderson III
Published: 01 January 2008
DOI: 10.1215/9780822374985-010
EISBN: 978-0-8223-7498-5
Published: 01 January 2008
EISBN: 978-0-8223-7498-5
... Garderi ancl Stirnela Rlosarido. To Stimcla's right sat Joy, whose surname I colild never rrrrlembcr, and who was not-to my knowledge-an operative, but Stimela's fiancke. And next to Joy sat Jabu Mosando. On that sweltering December day in 1993, Stimela and Joy were in their late twenties or...
Book Chapter

By Frank B. Wilderson III
Published: 01 January 2008
DOI: 10.1215/9780822374985-006
EISBN: 978-0-8223-7498-5
Book Chapter

By Frank B. Wilderson III
Published: 01 January 2008
DOI: 10.1215/9780822374985-001
EISBN: 978-0-8223-7498-5
... Garderi ancl Stirnela Rlosarido. To Stimcla's right sat Joy, whose surname I colild never rrrrlembcr, and who was not-to my knowledge-an operative, but Stimela's fiancke. And next to Joy sat Jabu Mosando. On that sweltering December day in 1993, Stimela and Joy were in their late twenties or...
Book Chapter

By Louise Meintjes
Published: 21 July 2017
DOI: 10.1215/9780822373636-012
EISBN: 978-0-8223-7363-6
... Limits of Zuluness in Colonial Natal.” In Zulu Identities: Being Zulu, Past and Present, edited by Benedict Carton, John Laband, and Jabu- lani ­Sithole, 281–89. London: Hurst. McCoy, Jason. 2009. “Making Violence Ordinary: Radio, Music and the Rwandan Genocide.” African Music 8 (3): 85–96...
Book Chapter

By Louise Meintjes
Published: 21 July 2017
DOI: 10.1215/9780822373636-013
EISBN: 978-0-8223-7363-6
... leadership of, 68, 71. See also jabane, 14 Makhanya, Zabiwe; Shezi, Macube; Zulu, Jabu (bass player), 220–21 Siyazi Jackson, Michael, 296n29 Impey, Angela, 276n24 jama, 246–47 “Impi” (Juluka), 157 James, Deborah, 275n18, 276n24, 299n5 Impilo...
Published: 21 July 2017
DOI: 10.1215/9780822373636-001
EISBN: 978-0-8223-7363-6
..., continuously through and around ngoma. Six-­year-­old Wunda Boy stands steady, watching for his turn with the bevy of boys playing at ngoma. Little Jabu is spinning about, legs and arms flailing in all directions. As he paces out his steps, he sounds out the core rhythm with palatal clicks. Next Wunda...
Book Chapter

By Frank B. Wilderson III
Published: 01 January 2008
DOI: 10.1215/9780822374985-005
EISBN: 978-0-8223-7498-5
Published: 27 July 2010
DOI: 10.1215/9780822392897-006
EISBN: 978-0-8223-9289-7
... desis—my friend Anita, along with her friends visiting from India—where he played the track. Standing around with drinks in our hands, we stopped in mid-​sentence when we heard its opening bars: Kaliyon ka chaman jabu lantha hai Thoda resham lagta hai, Thoda shisha lagta hai, Hire moti...