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intuition

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Series: Post-Contemporary Interventions
Published: 01 January 1991
DOI: 10.1215/9780822382829-005
EISBN: 978-0-8223-8282-9
Series: Asia-Pacific
Published: 15 February 2012
DOI: 10.1215/9780822394983-003
EISBN: 978-0-8223-9498-3
Published: 15 November 2004
DOI: 10.1215/9780822386032-010
EISBN: 978-0-8223-8603-2
Published: 11 October 2005
DOI: 10.1215/9780822387220-007
EISBN: 978-0-8223-8722-0
Published: 01 January 1996
DOI: 10.1215/9780822379225-006
EISBN: 978-0-8223-7922-5
Published: 05 August 2015
EISBN: 978-0-8223-7533-3
... nothingness; creation; possibility; intuition ...
Published: 05 August 2015
EISBN: 978-0-8223-7533-3
... simplicity; joy; optimism; intuition ...
Book Chapter

By Erin Manning
Series: Thought in the Act
Published: 03 June 2016
EISBN: 978-0-8223-7441-1
... sympathy participation the artful duration intuition ...
Book Chapter

By Brian Massumi
Published: 01 January 2015
EISBN: 978-0-8223-7581-4
... nonconscious affect relation event intuition ...
Book Chapter

By Natasha Myers
Series: Experimental Futures
Published: 07 August 2015
EISBN: 978-0-8223-7563-0
... imagination intuition synesthesia phenomenology embodied knowledge ...
Book Chapter

By Anand Pandian
Published: 02 November 2015
EISBN: 978-0-8223-7516-6
... Francis Ford Coppola Apocalypse Now The Godfather improvisation intuition ...
Published: 05 August 2015
DOI: 10.1215/9780822375333-008
EISBN: 978-0-8223-7533-3
... concludes that to start with the former gives rise to paradoxes, whereas to start with the latter, as Bergson’s simple intuition does, explains our continuous duration and the creative and unforeseeable newness of any free decision. The simplest of simplicities Bergson speaks of in The Creative Mind...
Published: 01 January 2015
DOI: 10.1215/9780822375814-002
EISBN: 978-0-8223-7581-4
... is, the less satisfaction is gained from it and the less likely it is to correspond to an expert cost-to-benefit analysis. This can only mean that modes of intuition operate on the infra-individual level to clinch or orient decision. These have a positive power adapted to the situation and are not simply...
Series: Experimental Futures
Published: 07 August 2015
DOI: 10.1215/9780822375630-004
EISBN: 978-0-8223-7563-0
... This chapter delves into the embodied nature of molecular modeling, to examine how seeing, feeling, and knowing are intertwined with the work of crafting molecular models. It offers a phenomenological account of the role of the modeler’s imagination, judgment, and intuition in rendering...
Published: 02 November 2015
EISBN: 978-0-8223-7516-6
...Foreword Murch calls attention to the essential place of improvisation and intuition in filmmaking practice, invoking examples from the Tamil filmmaking scenes in the book as well as his own experience as a filmmaker and editor. Calling on the work of Jean Cocteau, Francis Ford Coppola...
Series: Thought in the Act
Published: 03 June 2016
DOI: 10.1215/9780822374411-003
EISBN: 978-0-8223-7441-1
... Taking art’s medieval definition—the way—as the starting point, chapter 2 explores how art is less a practice of object-making than a direct engagement with duration. Working with Henri Bergson’s concepts of intuition and sympathy, the question becomes to what degree forms of making are always...
Published: 05 August 2015
DOI: 10.1215/9780822375333-007
EISBN: 978-0-8223-7533-3
... is thus neither a creation ex nihilo nor a mechanical fabrication or rearrangement of old elements. It is a continually inventive immanence, an always-beginning improvisation among the innumerable plenitude of the real. Jankélévitch concludes the chapter by arguing that only intuition captures duration...
Published: 05 August 2015
DOI: 10.1215/9780822375333-005
EISBN: 978-0-8223-7533-3
... The central claim of this chapter is that Bergson’s élan vital is not a teleology, only a direction. Like the free act, creative evolution allows for determinism only retroactively. Here Jankélévitch lays out Bergson’s method of philosophical intuition, which alone both follows and comprehends...
Series: Experimental Futures
Published: 07 August 2015
EISBN: 978-0-8223-7563-0
... of the modeler’s imagination, judgment, and intuition in rendering molecular structures. It introduces the concept of the “kinesthetic imagination” to account for the ways that modelers can both “see” molecular structures in their mind’s eye, and “feel” through the forces between atoms in a molecule...
Published: 24 March 2017
DOI: 10.1215/9780822373315-003
EISBN: 978-0-8223-7331-5
..., seemingly intuitively, the three basic identity supports that are the proper name, the portrait, and the imprint. The portrait is drawn with a pencil, the cheek is a molded imprint of the artist’s, and the work is signed Tongue in Cheek , Marcel Duchamp, 1959. Marcel Duchamp readymade signature...