... enact a queering of the trope’s boundary-crossing connotations of transgression. From J. M. W. Turner to Audre Lorde and Nicolas Roeg, the intertext crisscrossed by Julien’s aesthetic of creolization reveals a heterotropic dynamic in homoerotic iconography, as well as a homotropic dimension running...

... In “Transing the Queer (In)human,” the author offers a different kind of intertext for “My Words to Victor Frankenstein,” gesturing toward Gayatri Spivak on subaltern speech, Jean-François Lyotard on language games, and Michael Hardt and others on affective labor. “My Words to Victor...

... than 300 passengers, 250 of whom were high school sophomores on a field trip. In her chapter, Cho analyzes the music video’s intertexts, from literature (LeGuin), cinema (Bong Joon-ho’s Snowpiercer ), contemporary art (Christian Boltanski’s “Personnes”), and references to the leitmotif of yellow...

... close its relation to queerness ought to be is still up for debate. Judith Butler Sandy Stone Leslie Feinberg evil twins In “Transing the Queer (In)human,” the author offers a different kind of intertext for “My Words to Victor Frankenstein,” gesturing toward Gayatri Spivak on subaltern...

..., the intertext crisscrossed by Julien’s aesthetic of creolization reveals a heterotropic dynamic in homoerotic iconography, as well as a homotropic dimension running beneath images of mixed-race heterosexual couplings. cinema fantasy homoerotic interracial coupling transgression This interview...

... “Spring Day” and fan-produced videos about the music video as an allegory for the 2014 Sewol ferry tragedy, in which a South Korean ferry capsized, killing more than 300 passengers, 250 of whom were high school sophomores on a field trip. In her chapter, Cho analyzes the music video’s intertexts, from...