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hysterical

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Published: 01 January 2004
DOI: 10.1215/9780822385592-032
EISBN: 978-0-8223-8559-2
Published: 03 December 2003
DOI: 10.1215/9780822385325-011
EISBN: 978-0-8223-8532-5
Published: 15 June 2006
DOI: 10.1215/9780822387800-040
EISBN: 978-0-8223-8780-0
Published: 11 October 2007
DOI: 10.1215/9780822390619-006
EISBN: 978-0-8223-9061-9
Series: [sic] Series
Published: 02 May 2006
DOI: 10.1215/9780822387602-005
EISBN: 978-0-8223-8760-2
Published: 13 July 2010
DOI: 10.1215/9780822392880-004
EISBN: 978-0-8223-9288-0
Published: 01 January 1996
EISBN: 978-0-8223-9891-2
Series: Refiguring American Music
Published: 01 January 2008
DOI: 10.1215/9780822389224-010
EISBN: 978-0-8223-8922-4
Published: 01 January 2007
DOI: 10.1215/9780822388906-003
EISBN: 978-0-8223-8890-6
Published: 11 October 2007
DOI: 10.1215/9780822390619-005
EISBN: 978-0-8223-9061-9
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-014
EISBN: 978-0-8223-7449-7
... This chapter explores the polarized reception of mid-1960s free jazz by focusing on its most instantly recognizable timbral gesture: the “saxophonic scream.” Music critics’ reactions to John Coltrane’s iconic use of the saxophonic scream variously read it as hysterical noise or as transcendent...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... reception of mid-1960s free jazz by focusing on its most instantly recognizable timbral gesture: the “saxophonic scream.” Music critics’ reactions to John Coltrane’s iconic use of the saxophonic scream variously read it as hysterical noise or as transcendent. Using an interpretive model that synthesizes...