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hysterical

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Published: 01 January 2004
DOI: 10.1215/9780822385592-032
EISBN: 978-0-8223-8559-2
Published: 03 December 2003
DOI: 10.1215/9780822385325-011
EISBN: 978-0-8223-8532-5
Published: 15 June 2006
DOI: 10.1215/9780822387800-040
EISBN: 978-0-8223-8780-0
Published: 11 October 2007
DOI: 10.1215/9780822390619-006
EISBN: 978-0-8223-9061-9
Series: [sic] Series
Published: 02 May 2006
DOI: 10.1215/9780822387602-005
EISBN: 978-0-8223-8760-2
Published: 13 July 2010
DOI: 10.1215/9780822392880-004
EISBN: 978-0-8223-9288-0
Published: 01 January 1996
EISBN: 978-0-8223-9891-2
Series: Refiguring American Music
Published: 01 January 2008
DOI: 10.1215/9780822389224-010
EISBN: 978-0-8223-8922-4
Published: 01 January 2007
DOI: 10.1215/9780822388906-003
EISBN: 978-0-8223-8890-6
Published: 11 October 2007
DOI: 10.1215/9780822390619-005
EISBN: 978-0-8223-9061-9
Series: Black Outdoors: Innovations in the Poetics of Study
Published: 22 February 2024
DOI: 10.1215/9781478025719-002
EISBN: 978-1-4780-9414-2
... The second set of seven letters of Mu marks the movement of the daughter’s desire in a terrain of oedipal sexuality structured by partus sequitur ventrem . In this revision of a previously published article, “Poetics of Mu,” unconscious desire is approached with the author’s own hysteric...
Published: 26 July 2024
DOI: 10.1215/9781478059707-005
EISBN: 978-1-4780-5970-7
... about Title IX, and maps the disavowals that led his colleagues to project innocence onto Nassar while casting his victims as hysterics and liars. Title IX sexual abuse feminist epistemology close reading ...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-014
EISBN: 978-0-8223-7449-7
... This chapter explores the polarized reception of mid-1960s free jazz by focusing on its most instantly recognizable timbral gesture: the “saxophonic scream.” Music critics’ reactions to John Coltrane’s iconic use of the saxophonic scream variously read it as hysterical noise or as transcendent...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... reception of mid-1960s free jazz by focusing on its most instantly recognizable timbral gesture: the “saxophonic scream.” Music critics’ reactions to John Coltrane’s iconic use of the saxophonic scream variously read it as hysterical noise or as transcendent. Using an interpretive model that synthesizes...