... Chapter 3 shows how Black girls negotiate and play with the (hyper) visible aspect of the hyper(in)visibility paradox. Indeed, some Black girls embrace hypervisibility instead of shying away from its potential consequences. This chapter identifies three specific, though certainly not exhaustive...

... Carrie Mae Weems refusal hypervisibility self-possession photography ...

... sex work organizing invisibility hypervisibility Black cisgender and transgender women ...

... hypervisibility afterimage submission Xica da Silva Chica da Silva Sally Hemings Jefferson in Paris ...

... Mae Weems refusal hypervisibility self-possession photography ...

... invisibility (absence, un-image-ability), and hypervisibility (a visual archetype conflated with the “spectacle of terror”) by analyzing two films by the acclaimed Palestinian director Elia Suleiman. The chapter’s reading of Suleiman’s films further highlights the different mechanisms involved in rendering...

... more intimately entwined with the apparatus of the state itself, with the incidence of violence tracing spatial divisions in urban space and national territories. The hypervisibility of violence in the contemporary public spheres of Mexico and Brazil resonates with early twentieth-century forms of mass...

... organizing work for the liberation of Black women and girls. sex work organizing invisibility hypervisibility Black cisgender and transgender women ...

... sexualized violence. This confrontation is projected onto the memory of slave women’s sexual agency, making them, in the words of Saidiya Hartman, “masters of their own subjection.” hypervisibility afterimage submission Xica da Silva Chica da Silva Sally Hemings Jefferson in Paris ...

..., a racialized one whereby Filipinos are hypervisible and invisible, “everywhere and nowhere,” perceptually absent and, therefore, ambiguous, within a U.S. popular imaginary. Chapter 1 discusses how these paradoxes congealed into naturalized tropes of Filipinos and music—cultural givens figured within the early...

... the twofold position of the circulating image of the Palestinian marked by both invisibility (absence, un-image-ability), and hypervisibility (a visual archetype conflated with the “spectacle of terror”) by analyzing two films by the acclaimed Palestinian director Elia Suleiman. The chapter’s reading...