...-twentieth-century mug shots of African American Freedom Riders in the US South, it analyzes the sonic frequency of images. It defines the haptic as multiple forms of touch, which create alternative modalities for understanding the archival temporalities of images: the grammar of the archive. What is crucial...

...Hapticities Ngaanyatjarra Pitjantjatjara Yankunytjatjara (NPY) fiber artworks, known as Tjanpi, may appear as innocuous works of traditional women’s handicraft: baskets, bowls, figurative soft sculpture. This does not, however, deradicalize the gesture contained in their form. Chapter 5...

... affect listening haptic practice frequency ...

... melodrama pastoral touch historical film haptic ...

... elephant painting animal art Roger Caillois mimesis haptic ...

... graphic lyric books Bangtan Universe haptic transmedia intertextuality ...

... edge-recognition software haptic visuality enfoldedness soul-assemblage ...

... touch the haptic image first love rain transnational co-production  ...

... sonic frequency haptic temporality Breakwater Prison Freedom Riders convict photos ...

... ethnographic methods scientific representation rendering affects in science haptic and kinesthetic dexterities biopolitics ...

... hapticity Aboriginal fiber arts practical aesthetics affect and sensation Tjanpi Desert Weavers ...

... hapticity phenomenology of art ochre in Aboriginal art affect and sensation Warnayaka Art and Cultural Aboriginal Corporation ...

.... However, those edges are always shifting according to the restlessness of the enclosed elements. Enfoldedness gives shimmer to the virtual, and an infinity of soul-assemblages shift and shimmer, in a haptic haze that defies borders. edge-recognition software haptic visuality enfoldedness soul...

... political affects in Indian and Bangladeshi gay and transgender films. It elaborates registers of affiliation and proximity and queer experiences of sociality and community. It analyzes the queer historical drama and the politics of touch and the haptic in activist documentary, and it considers space...

... phenomenon. Indeed, modelers must hone their haptic, kinesthetic, and affective dexterities to be able to see, feel, and know the difference between good and bad molecular structures. The chapter describes innovations in ethnographic methods that bring renewed attention to the senses and modes of embodiment...

... manipulation of virtual, computer graphic models on-screen. This chapter argues that it is the tangibility and interactivity of these various media that have enabled modelers to cultivate a kind of haptic and kinesthetic mode of vision in their work of rendering and interpreting molecular structures...

... homelands and in the everyday hands and lifeworlds of NPY female artists. Tjanpi demonstrates how important ways of doing and being are to practice-based, life-making aesthetics. The haptic viscera of country, of women’s life work, is itself woven into the object form, making the work of Tjanpi exemplary...

... a kind of haptic and kinesthetic mode of vision in their work of rendering and interpreting molecular structures. This chapter introduces the concept of “haptic creativity” to account for the embodied and improvisational skills model builders rely on in their work. three-dimensional models...

... of vision with knowledge by engaging photography through a sensory register that is critical to Black Atlantic cultural formations: sound. affect listening haptic practice frequency ...

... readings of experiments in which artists surrender media such as video cameras and GPS devices within nonhuman milieus, inviting animals to repurpose them and redefine their meaning. elephant painting animal art Roger Caillois mimesis haptic ...