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Book Chapter

By Rob Wilson, Terese Svoboda, Arif Dirlik
Published: 01 January 1995
DOI: 10.1215/9780822396116-019
EISBN: 978-0-8223-9611-6
Published: 01 January 2009
DOI: 10.1215/9780822391012-006
EISBN: 978-0-8223-9101-2
Published: 03 January 2006
DOI: 10.1215/9780822387947-009
EISBN: 978-0-8223-8794-7
Published: 16 April 2012
EISBN: 978-0-8223-9478-5
Book Chapter

By Timothy J. Henderson
Book Chapter

By Timothy J. Henderson
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-007
EISBN: 978-1-4780-2139-1
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337-004
EISBN: 978-1-4780-1233-7
Published: 15 November 2024
DOI: 10.1215/9781478060062-007
EISBN: 978-1-4780-6006-2
Book Chapter

By Michael Dutton
Series: Asia-Pacific: Culture, Politics, and Society
Published: 01 September 2024
EISBN: 978-1-4780-5918-9
... shufa qi cursive style grass style Mao style ...
Book Chapter

By Michael Dutton
Series: Asia-Pacific: Culture, Politics, and Society
Published: 01 September 2024
DOI: 10.1215/9781478059189-016
EISBN: 978-1-4780-5918-9
... calligraphy (or shufa ) is very different to the Western form and this is clearly evident in the poetic, revolutionary strokes of Mao Zedong. This chapter follows the flow of vital energy and the brushstrokes of Mao Zedong. Mao’s wild, grass-style calligraphy leaves lines, dots, streaks, and strokes...
Book Chapter

By Jennifer Loureide Biddle
Series: Objects/Histories
Published: 05 February 2016
DOI: 10.1215/9780822374602-006
EISBN: 978-0-8223-7460-2
... less than ten years, Tjanpi has become high Aboriginal art, moving from a secular-based art form using secular (imported) grasses to a becoming-traditional art form, utilizing local lands-based grasses for works that reveal Tjukurpa (the Dreaming) today, as they take shape across the highly traveled...
Book Chapter

By Michael Dutton
Series: Asia-Pacific: Culture, Politics, and Society
Published: 01 September 2024
EISBN: 978-1-4780-5918-9
... or qi , Chinese calligraphy (or shufa ) is very different to the Western form and this is clearly evident in the poetic, revolutionary strokes of Mao Zedong. This chapter follows the flow of vital energy and the brushstrokes of Mao Zedong. Mao’s wild, grass-style calligraphy leaves lines, dots, streaks...
Book Chapter

By Jennifer Loureide Biddle
Series: Objects/Histories
Published: 05 February 2016
EISBN: 978-0-8223-7460-2
... tracks how, within less than ten years, Tjanpi has become high Aboriginal art, moving from a secular-based art form using secular (imported) grasses to a becoming-traditional art form, utilizing local lands-based grasses for works that reveal Tjukurpa (the Dreaming) today, as they take shape across...
Book Chapter

By Eben Kirksey
Published: 02 November 2015
DOI: 10.1215/9780822374800-010
EISBN: 978-0-8223-7480-0
... and ecological worlds went to war. The haunting specter of capital joined the fray—animating the movements of cattle, grasses with animal rhizomes, rice seeds, and flighty ducks. Amid this warfare, the fringe-toed foam frog was just one tenacious parasite, a noisy agent eating at the table of another, which...
Series: Power Play: Games, Politics, Culture
Published: 05 April 2024
DOI: 10.1215/9781478059264-006
EISBN: 978-1-4780-9396-1
... of Consentacle), Sisi Jiang (creator of LIONKILLER ), Domini Gee (creator of Camera Anima), and Toby Do (creator of Grass Mud Horse), who discuss racial representation in games from the perspective of the North American industry, noting how pernicious racist stereotypes of Asians as “below-the-line” rather than...
Series: Power Play: Games, Politics, Culture
Published: 05 April 2024
EISBN: 978-1-4780-9396-1
... Clark (creator of Consentacle), Sisi Jiang (creator of LIONKILLER ), Domini Gee (creator of Camera Anima), and Toby Do (creator of Grass Mud Horse), who discuss racial representation in games from the perspective of the North American industry, noting how pernicious racist stereotypes of Asians...