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grass

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Published: 03 January 2006
DOI: 10.1215/9780822387947-009
EISBN: 978-0-8223-8794-7
Published: 01 January 1995
DOI: 10.1215/9780822396116-019
EISBN: 978-0-8223-9611-6
Published: 16 April 2012
EISBN: 978-0-8223-9478-5
Published: 01 January 2009
DOI: 10.1215/9780822391012-006
EISBN: 978-0-8223-9101-2
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-007
EISBN: 978-1-4780-2139-1
Series: a Camera Obscura Book
Published: 01 January 2021
DOI: 10.1215/9781478012337-004
EISBN: 978-1-4780-1233-7
Series: Objects/Histories
Published: 05 February 2016
DOI: 10.1215/9780822374602-006
EISBN: 978-0-8223-7460-2
... less than ten years, Tjanpi has become high Aboriginal art, moving from a secular-based art form using secular (imported) grasses to a becoming-traditional art form, utilizing local lands-based grasses for works that reveal Tjukurpa (the Dreaming) today, as they take shape across the highly traveled...
Series: Objects/Histories
Published: 05 February 2016
EISBN: 978-0-8223-7460-2
... tracks how, within less than ten years, Tjanpi has become high Aboriginal art, moving from a secular-based art form using secular (imported) grasses to a becoming-traditional art form, utilizing local lands-based grasses for works that reveal Tjukurpa (the Dreaming) today, as they take shape across...
Published: 02 November 2015
DOI: 10.1215/9780822374800-010
EISBN: 978-0-8223-7480-0
... and ecological worlds went to war. The haunting specter of capital joined the fray—animating the movements of cattle, grasses with animal rhizomes, rice seeds, and flighty ducks. Amid this warfare, the fringe-toed foam frog was just one tenacious parasite, a noisy agent eating at the table of another, which...