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Published: 26 November 2014
DOI: 10.1215/9780822376620-011
EISBN: 978-0-8223-7662-0
Book Chapter

By Lucas Hilderbrand
Published: 20 October 2023
EISBN: 978-1-4780-2728-7
... gay bars gay archives methods queer historiography ...
Published: 20 October 2023
EISBN: 978-1-4780-2728-7
... the potential for social and sexual contacts in bars, but outcomes, rather than intentions, remain speculative. gay bars gay archives methods queer historiography ...
Published: 29 April 2016
DOI: 10.1215/9780822374565-005
EISBN: 978-0-8223-7456-5
..., and defends only one kind, that is, the dominant Western form of homosexuality. The chapter then focuses on Pim Fortuyn, flamboyant and successful gay politician, and his contradictory sexual desires, vilifying yet desiring Muslims. Reading his desires in light of the cultural archive, the chapter highlights...
Published: 17 August 2015
DOI: 10.1215/9780822375104-004
EISBN: 978-0-8223-7510-4
... and War Office files, in the papers of London East End Councillor Edith Ramsay, and in the unedited sound recordings of the Hall Carpenter Gay and Lesbian Oral History archive housed at the British Library. Collectively these archival documents destabilize the task of finding the “gay black subject...
Published: 10 December 2021
DOI: 10.1215/9781478021896-010
EISBN: 978-1-4780-2189-6
Published: 26 November 2014
DOI: 10.1215/9780822376620-010
EISBN: 978-0-8223-7662-0
Published: 01 January 2020
DOI: 10.1215/9781478004424-004
EISBN: 978-1-4780-0442-4
Published: 16 November 2018
DOI: 10.1215/9781478002161-006
EISBN: 978-1-4780-0216-1
... metronormative gay, immigrant, and nationalist grids of progress and development. Akram Zaatari Allan deSouza queer optic queer archives ...
Published: 29 April 2016
DOI: 10.1215/9780822374510-005
EISBN: 978-0-8223-7451-0
... Britain, in that his art bears witness to the way the colonial past has imaginatively returned to be reworked in the present, Piper is situated in a postcolonial relation to his archival sources. The chapter explores how his choices led him to the aquatic imagery that aligns his conceptualism not only...