Search Results for futurist

...Manifesto of the Japanese Futurist Movement ...

... as a way to create new artistic advances. Futurism went rather far in this dynamic, as it looked at all everyday and specialized actions and practices as potential materials for artistic production, politics included, as is illustrated by the futurists’ attempt to install their own aesthetic-political...

... and historicist device is necessary to convey content to a new generation of readers who are fully subjugated to capital yet interested in a counterpraxis and counterlogistics in order to thrive. This is where the avant-gardist manifesto or futurist prose poem gains greatest currency. Tiqqun neo-Dada...

... trajectory as a Black futurist, starting from an obsession with Marvel Comics and Black science-fiction characters as a kid. Tate argues Afro-futurism is about seeing the institutional exclusion, hyperinvisibility, and massive social erasure that Black people face not as impediments but as incitements where...

... on George E. Lewis’s concept of the Afrological and Vijay Iyer’s notion of microtiming, Robinson suggests that cognitive dissonances produced by latency in networked performance bring into relief the relationship of distant bodies in networked performance as well as ideas about a futurist vision of zero...

... commonplace fictionalization or personification as oedipal beast. This is the case, this entry argues, because the fantasy of parthenogenetic autarky, which the fictionalization of AI is predicated on, is far older than the technology. In 1909, Filippo Tommaso Marinetti published Mafarka: The Futurist...

... Bruce Mailman, an entrepreneur and owner of the St. Mark’s Baths, opened the Saint as the city’s largest and most futuristic venue for the white gay crowd in the autumn of 1980. Featuring a cyborg-like depiction of St. Sebastian with lasers shooting out of his fingertips and eyes, so blending...

... that conveys that the zombie is a morally and futuristically cautionary figure. The chapter ruminates not only on the figure of the zombie but also more generally on the ways the genres of horror and science fiction, seemingly removed form literary realism, can adeptly effect social critiques of colonialism...

... Chicago-based improviser Nicole Mitchell’s Xenogenesis Suite pays homage to the Afro-futurist science fiction of Octavia Butler. Mitchell and Butler invite listeners to question how bodies are shaped by and resistant to social and sexual hegemonies. Mitchell takes up Butler’s challenges...

... explores the futuristic queer and diasporic memories of being human near machines/robots in Margaret Rhee’s poetry, alongside the queer genealogies of the thinking machine and the historically fractured associations between robots and Asians. Rhee’s works subvert language as a technology of distinction...

... human translators from computers. Sontag, salvaging human distinction in language, thus subtends dehumanization of Asians due to their closeness to technology in the global division of labor. In search of an alternative, this chapter explores the futuristic queer and diasporic memories of being human...

... that Díaz uses these paradigms in his literary imaginary, crafting a decolonial narrative that conveys that the zombie is a morally and futuristically cautionary figure. The chapter ruminates not only on the figure of the zombie but also more generally on the ways the genres of horror and science fiction...

... implications of the saxophonic scream are discussed in conclusion. free jazz John Coltrane timbre Chicago-based improviser Nicole Mitchell’s Xenogenesis Suite pays homage to the Afro-futurist science fiction of Octavia Butler. Mitchell and Butler invite listeners to question how bodies...

... notion of microtiming, Robinson suggests that cognitive dissonances produced by latency in networked performance bring into relief the relationship of distant bodies in networked performance as well as ideas about a futurist vision of zero-latency telecommunications. Moreover, issues related to latency...

..., an entrepreneur and owner of the St. Mark’s Baths, opened the Saint as the city’s largest and most futuristic venue for the white gay crowd in the autumn of 1980. Featuring a cyborg-like depiction of St. Sebastian with lasers shooting out of his fingertips and eyes, so blending the iconography of suffering...