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futurist

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Published: 01 January 2005
DOI: 10.1215/9780822386810-011
EISBN: 978-0-8223-8681-0
...Manifesto of the Japanese Futurist Movement ...
Published: 08 May 2015
DOI: 10.1215/9780822375661-002
EISBN: 978-0-8223-7566-1
... as a way to create new artistic advances. Futurism went rather far in this dynamic, as it looked at all everyday and specialized actions and practices as potential materials for artistic production, politics included, as is illustrated by the futurists’ attempt to install their own aesthetic-political...
Published: 15 July 2016
DOI: 10.1215/9780822373995-074
EISBN: 978-0-8223-7399-5
Published: 01 January 2005
DOI: 10.1215/9780822386810-007
EISBN: 978-0-8223-8681-0
Published: 15 July 2016
EISBN: 978-0-8223-7399-5
..., “Kalahari Hopscotch,” Tate reflects on his trajectory as a Black futurist, starting from an obsession with Marvel Comics and Black science-fiction characters as a kid. Tate argues Afro-futurism is about seeing the institutional exclusion, hyperinvisibility, and massive social erasure that Black people face...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-006
EISBN: 978-0-8223-7449-7
... on George E. Lewis’s concept of the Afrological and Vijay Iyer’s notion of microtiming, Robinson suggests that cognitive dissonances produced by latency in networked performance bring into relief the relationship of distant bodies in networked performance as well as ideas about a futurist vision of zero...
Published: 01 January 2016
DOI: 10.1215/9780822374763-012
EISBN: 978-0-8223-7476-3
... that conveys that the zombie is a morally and futuristically cautionary figure. The chapter ruminates not only on the figure of the zombie but also more generally on the ways the genres of horror and science fiction, seemingly removed form literary realism, can adeptly effect social critiques of colonialism...
Published: 09 September 2016
DOI: 10.1215/9780822373926-009
EISBN: 978-0-8223-7392-6
... Bruce Mailman, an entrepreneur and owner of the St. Mark’s Baths, opened the Saint as the city’s largest and most futuristic venue for the white gay crowd in the autumn of 1980. Featuring a cyborg-like depiction of St. Sebastian with lasers shooting out of his fingertips and eyes, so blending...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-015
EISBN: 978-0-8223-7449-7
... Chicago-based improviser Nicole Mitchell’s Xenogenesis Suite pays homage to the Afro-futurist science fiction of Octavia Butler. Mitchell and Butler invite listeners to question how bodies are shaped by and resistant to social and sexual hegemonies. Mitchell takes up Butler’s challenges...
Published: 01 January 2016
EISBN: 978-0-8223-7476-3
... and futuristically cautionary figure. The chapter ruminates not only on the figure of the zombie but also more generally on the ways the genres of horror and science fiction, seemingly removed form literary realism, can adeptly effect social critiques of colonialism and its legacies. Junot Díaz Caribbean...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... implications of the saxophonic scream are discussed in conclusion. free jazz John Coltrane timbre Chicago-based improviser Nicole Mitchell’s Xenogenesis Suite pays homage to the Afro-futurist science fiction of Octavia Butler. Mitchell and Butler invite listeners to question how bodies...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... notion of microtiming, Robinson suggests that cognitive dissonances produced by latency in networked performance bring into relief the relationship of distant bodies in networked performance as well as ideas about a futurist vision of zero-latency telecommunications. Moreover, issues related to latency...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
..., an entrepreneur and owner of the St. Mark’s Baths, opened the Saint as the city’s largest and most futuristic venue for the white gay crowd in the autumn of 1980. Featuring a cyborg-like depiction of St. Sebastian with lasers shooting out of his fingertips and eyes, so blending the iconography of suffering...