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film exhibition

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Series: Improvisation, Community, and Social Practice
Published: 24 April 2020
DOI: 10.1215/9781478009122-002
EISBN: 978-1-4780-0912-2
Book Chapter

By Jean Ma
Published: 13 May 2015
EISBN: 978-0-8223-7562-3
... early cinema sound transition film exhibition film songs Zhou Xuan ...
Published: 18 November 2016
EISBN: 978-0-8223-7367-4
... Botswana India film exhibition activism human rights ...
Published: 01 January 1999
DOI: 10.1215/9780822395966-004
EISBN: 978-0-8223-9596-6
Published: 18 November 2016
DOI: 10.1215/9780822373674-003
EISBN: 978-0-8223-7367-4
... this human rights rhetoric, exposing how these events reimagine public spaces and audiences. Moving away from film texts to consider film exhibition, curatorial logics, publicity, activism, and social media practices, this chapter proposes the queer film festival as a space of tension, at once operating...
Published: 12 May 2017
DOI: 10.1215/9780822372899-007
EISBN: 978-0-8223-7289-9
... Chapter 5 examines the production of sensational melodramas outside Rio and São Paulo in the 1920s as the dynamics of the Brazilian economy fueled disparities between the urban Southeast and other regions. Film exhibition was also marked by geographic unevenness; serials and westerns were shown...
Book Chapter

By Jean Ma
Published: 13 May 2015
DOI: 10.1215/9780822375623-002
EISBN: 978-0-8223-7562-3
... on Chinese cinema for years to come. early cinema sound transition film exhibition film songs Zhou Xuan ...
... the urban Southeast and other regions. Film exhibition was also marked by geographic unevenness; serials and westerns were shown outside the Southeast and in smaller towns long after they were considered outdated in major cities. Semi-amateur filmmakers in regional capitals and small towns made strategic...
Published: 18 May 2015
DOI: 10.1215/9780822375555-003
EISBN: 978-0-8223-7555-5
... This chapter looks at the two films made by northern entrepreneurs at Tuskegee Institute, A Trip to Tuskegee (1909) and A Day at Tuskegee (1913). The first film was produced by the George W. Broome Exhibition Company of Boston, owned by a filmmaking entrepreneur who made actualities...
Published: 18 May 2015
DOI: 10.1215/9780822375555-004
EISBN: 978-0-8223-7555-5
... This chapter focuses on the industrial film production of Hampton Institute, which made three films between 1913 and 1915. Two of the films were fictionalized narratives of a student’s progress through the institute; the other was a nonfiction exhibition of the work done at the school...
Published: 25 March 2016
DOI: 10.1215/9780822374343-007
EISBN: 978-0-8223-7434-3
... This chapter is a visual excavation of Kang Je-gyu’s film about the Korean War, Taegukgi (2004), in relation to the film sets, theme parks, and exhibitions that drew large audiences in the wake of the film’s box-office success. Looking at material traces of the film’s depiction of the Korean...
Published: 12 May 2017
DOI: 10.1215/9780822372899-006
EISBN: 978-0-8223-7289-9
... In Rio de Janeiro in the latter half of the 1910s, a craze for imported serial films fostered new practices of film consumption, novel conceptions of cinema’s defining characteristics, and fresh ambitions for local film production. The popularity of serial films and their tie-in novelizations...
Book Chapter

By Youngmin Choe
Published: 25 March 2016
EISBN: 978-0-8223-7434-3
..., and exhibitions that drew large audiences in the wake of the film’s box-office success. Looking at material traces of the film’s depiction of the Korean War in their moments of dispersion, decay, and deterioration, this chapter examines a contemporary representation of the defining event of the Korean twentieth...
Book Chapter

By Kobena Mercer
Published: 29 April 2016
DOI: 10.1215/9780822374510-014
EISBN: 978-0-8223-7451-0
..., this chapter underscores the exhibition as a turning point that backgrounded questions of identity so as to foreground an inclusive and ecumenical approach to shared conditions of globality that are everywhere inflected by granular differentiations of locality. documentary film installation...
Published: 26 January 2015
DOI: 10.1215/9780822376019-003
EISBN: 978-0-8223-7601-9
... This chapter argues that women’s films about other cultures are marketed in North America as humanist fables and that art house exhibition functions as a middle-brow and arguably feminized taste culture. It takes as case studies prominent women directors whose diasporic visions of “home” solicit...
Book Chapter

By Youngmin Choe
Published: 25 March 2016
EISBN: 978-0-8223-7434-3
...Intimacy This chapter explores the pornographic logic of the tourist imaginary and the reformulation of transnational intimacy in Korea and Japan’s cinema of postcolonial reconciliation under new cultural liberalization policies from 1998 to 2002. It focuses on the joint film productions...
Published: 29 April 2016
DOI: 10.1215/9780822374510-010
EISBN: 978-0-8223-7451-0
... held in Germany, this chapter underscores the exhibition as a turning point that backgrounded questions of identity so as to foreground an inclusive and ecumenical approach to shared conditions of globality that are everywhere inflected by granular differentiations of locality. documentary film...
Published: 18 May 2015
DOI: 10.1215/9780822375555-002
EISBN: 978-0-8223-7555-5
..., stereopticon displays, pageants, and songs—established the Institutes’ multimedia rhetorical strategies that conveyed their political and social program, and are important precursors to uplift films. While these materials were primarily targeted toward white philanthropists in the North, they also circulated...
Published: 18 May 2015
DOI: 10.1215/9780822375555-005
EISBN: 978-0-8223-7555-5
... a fuller picture of how Griffith’s film was received and responded to by contemporary Black audiences and communities. The Birth of a Nation D.W. Griffith Hampton Epilogue The New Era exhibition history ...
Published: 29 April 2016
DOI: 10.1215/9780822374510-002
EISBN: 978-0-8223-7451-0
...Art’s Critique of Representation Installation art by African American artists Renée Green and Fred Wilson, addressing the institutional authority by which museums stage representations of the past, is examined in this chapter, which accompanied a 1992 exhibition of the archival turn...