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Published: 29 March 2010
DOI: 10.1215/9780822392637-003
EISBN: 978-0-8223-9263-7
Published: 01 January 1998
DOI: 10.1215/9780822377580-010
EISBN: 978-0-8223-7758-0
... earlier film. Its coherent narrative may well be a precis for the film's overall frag• mentation of narrative causality, while its climax in emotional resolution points to the central theme, indeed the genre definition, of the film as a whole. To be sure, the ellipsis of time, the flat...
Published: 01 January 2013
DOI: 10.1215/9780822377566-006
EISBN: 978-0-8223-7756-6
... visual record of Deleuze’s metonymic affection-­image as focused on Han Gyul. Into the stillness of his revelation comes a space, the ellipsis within Han Gyul’s confession taken up by Eun Chan’s stunned, silent face, passing to the reader through the proliferating screen captures. In this mo- ment...
Book Chapter

By Monica L. Miller
Published: 01 January 2009
DOI: 10.1215/9780822391517-008
EISBN: 978-0-8223-9151-7
... Amsterdam News, March 2, 1932, 2. Mercer, Kobena. “Avid Iconographies.” Isaac Julien. London: Ellipsis, 2001. “Busy in the Ruins of a Wretched Phantasia.” Mirage: Enigmas of Race, Difference and Desire, ed. by Ragnar Farr, 15–55. London: Institute of Contemporary Art and Institute of...
Published: 01 January 2016
DOI: 10.1215/9780822375241-005
EISBN: 978-0-8223-7524-1
..., translation, contraction and ellipsis. As 1930 came to a close, rumors were flying. Officials were busy with un- dercover investigations, tracking talk about a scheme to end Belgian power. An American takeover would begin with African Americans arriving by air- plane. Along the Ruki and Busira, people...
Published: 01 January 2013
DOI: 10.1215/9780822377566-002
EISBN: 978-0-8223-7756-6